A Quote by Eddie Adams
Still photographs are the most powerful weapons in the world. Words and pictures have a continuing struggle for primacy. In my mind, a person can write the best story in the world; but a photograph is absolute.
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Still photographs are the most powerful weapon in the world. People believe them, but photographs do lie, even without manipulation. They are only half-truths.
Saudi Arabia is so conservative. At first there were photographs of women I took that I couldn't publish - of women without their abayas. So I started writing out little anecdotes about things I couldn't photograph and wove it in with a more obscure picture and called it "moments that got away". I realised these worked as well as the photographs by themselves. There are a lot of photographers who feel the story is all in the photographs but I really believe in weaving in complementary words with the pictures.
I am not much interested in discovering new territories to photograph. Instead, what I wish my pictures could do is lessen the distance one often feels when looking at landscape photographs... The longer I work, the more important it is to me to make photographs that tell my story as a participant, and not just an observer of the land.
Most people in the country didn't - and might still not - know about how powerful the United States is. They think North Korean weapons are the best in the world, and they're very proud of them. They believe they can protect the country from anyone.
To live in a world of photographs is to live in a world of substitutes... or so it seems, whose actual referent is always the other, the described, the reality of a world once removed. I prefer, on the other hand, to look at the photographs as something real and of my world, a strange and powerful thing... part of a language, a system of communication, an economy of signs.
I think I’ve said this before many times—that photography allows you to learn to look and see. You begin to see things you had never paid any attention to. And as you photograph, one of the benefits is that the world becomes a much richer, juicier, visual place. Sometimes it is almost unbearable — it is too interesting. And it isn’t always just the photos you take that matters. It is looking at the world and seeing things that you never photograph that could be photographs if you had the energy to keep taking pictures every second of your life.
There are two kinds of photographs: mine and other people's. I never think of what I might do myself when I look at someone else's pictures... there is no subject in the world I have ever wanted to photograph. It's the picture, not the object, that is important to me.
Ideas are indeed the most dangerous weapons in the world. Our ideas of freedom are the most powerful political weapons man has ever forged.
Because powerful images are fixed in the mind more readily than words, the photographer needs no interpreter. A photograph means the same thing all over the world and no translator is required. Photography is truly a universal language, transcending all boundaries of race, politics and nationality.
In a world of wolves one should go armed, and one of the most powerful defensive weapons within the reach of Negroes is the practice of race first in all parts of the world.
Part of the role of photography is to exaggerate. Most of the photographs in your paper, unless they are hard news, are lies. Fashion pictures show people looking glamorous. Travel pictures show a place looking at its best, nothing to do with the reality... Most of the pictures we consume are propaganda.
What I want is the world to remember the problems and the people I photograph. What I want is to create a discussion about what is happening around the world and to provoke some debate with these pictures. Nothing more than this. I don't want people to look at them and appreciate the light and the palate of tones. I want them to look inside and see what the pictures represent, and the kind of people I photograph.
We cannot by ourselves reduce the number of nuclear weapons in the world, but we are doing what has to be done all over the world if those weapons are one day to be eliminated. We will not contemplate any circumstance in which their possession or threatened use is justified. We reject the secrecy and hypocrisy which surrounds the continuing refinement of the technology.
The most powerful person in the world is the story teller.
The storyteller sets the vision, values and agenda
of an entire generation that is to come.
I'm still the best bantamweight in the world in my mind, yes. If I had any doubt that I was the best in the world then I shouldn't be competing. If you don't think you're going to be the best, what's the point?
The only times we are consciously aware of the authorship of a photograph, I would argue, are when we contemplate the photographs we ourselves have taken (or those of friends and family) or when we go deliberately to the photographers monograph or exhibition. The signed image - the appropriated, the owned image - is by far the rarest in this pullulating world of pictures.
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