A Quote by Eddie Bravo

A lot of times I'll show someone a technique I got really good with, but I didn't put all the hours in. I didn't do the research and development. I didn't take it to the next level.
I'm not an actor who approaches films doing a lot of research. I do zero research, unless it's a film where I'm playing a mock version of someone who already existed. Then, you've got to do a lot of research.
Well Ice H20 is my company that I plan to take to the next level with new artists, books, movies and so forth. It's more like a multimedia brand that I want to take to the next level and put some talented people on.
For coaches, we always look for those examples of guys who put in a lot of time and effort during the summer and really work and it carries over for them to take their game to the next level.
I'm happy to work when I've worked, and you've got to take the hard times with the good times. But there are times where I'm not as financially set as one might assume. So you have concerns about, 'Wow, I have this level of notoriety and... I better get a job.'
I try to show good technique - boxing technique, wrestling technique, jiu jitsu technique.
Just put football first, or your job first. Give everything you've got all week, work hard, work super-hard to take it to the next level every week. And when you feel like you got to the point where you want to be, you definitely need the time to go out, relax, have a good time, take all the stress off it.
We're a great part of the show... we're a novelty on the show. I think having one Divas match a night really makes it special, and I'm proud to be a part of it and hope to take it to the next level.
I've been on so many movies. Generally, I haven't gotten to be on the ground level. As of two years ago, in 'Dear John,' I got to really be on the ground floor. I wasn't a producer. I felt like I put the work in, and I did have a lot of sway on what got fixed, reshoots, so on and so forth. It felt really good.
I always take a relationship to the next level. If that works out, I take it to the next level after that, until I finally reach that level when it becomes absolutely necessary for me to leave.
I hung out a lot with the ring crew guys. I got along better with them then I did the other guys, the other talent. The guys that show up early in the morning and set the ring up and stay there all day and then take the ring down and drive five and six hours that night to get to the next show.
Sometimes I learn by someone giving me warnings and giving me advice about what to do next. And other times, a lot of times, I have to put my hand into the fire.
I didn’t like it [computer] when I first began using it. Where it’s helped me a lot is in nonfiction which is a kind of different process. You’ve got research, you’ve got your notes, You can block out what you want to work on for the next 10 pages and put it in another file, and then you can kind of carve it into shape
I kind of started with this foundation, and tried to do all the research I could do for Alice [Cullen], and then every time a [new] director would come in, they have their own artistic take on things and add in new elements. And a lot of times they would ask, "What did you love that you portrayed, and what do you wish that you could show?" So I felt, with each installment, I got the opportunity to add on something. I think she was very - you know, really sweet, [laughs] a little odd in the first installment.
There are some times, when you can predict weather well for the next 15 days. Other times, you can only really forecast a couple of days. Sometimes you can't predict the next two hours.
When I make a dress that someone wants to put on and somebody else wants to take off, then I know I've got it right. Because when someone looks good on the outside, they'll feel good on the inside.
I remember my first kisses with a lot of people, and they're rad experiences. And you don't have to really take it to that next level because that's what keeps it exciting.
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