A Quote by Eddie Campbell
I'd be interested to read Gull's paper on it, and I wish Alan would put it in somewhere. It gives him a relevance to our times, which he doesn't otherwise have. Gull, I mean, not Alan.
Related Quotes
Casting is really weird. Honestly, when Alan Ruck's name came up - and I've worked with Alan before - I went, "Yes, he's perfect." He came in and read for us, which was really sweet of him because he didn't have to, and he nailed it in seconds. We knew exactly who we had. That stuff is really good and fun.
I remember having an argument with Alan, I said the Queen's not just going to call the guy up and send him out to do it. And Alan says, well, how would a monarch give orders to her assassin.
There is an enormous thrust in our time to have a simple answer. And that simple answer is that all depends on Alan Greenspan and the Federal Reserve. And Alan, who is an old acquaintance of mine, is a marvelous performer in the impression he gives of enormously great perception.
The cut in Nick's arm was starting to throb dully with the pressure he was putting on it. He kept looking at Alan. 'How many times have you lied to me?' he asked in a soft voice. Alan replied, equally softly, 'I've lost count.
When I first met Alan, I was absolutely terrified. I was 19, he was Alan Rickman, and he's got that voice, and I remember meeting him in the hair and make-up trailer and thinking, 'I'm going to die. He thinks I'm rubbish. Why am I here?'
So-called reality TV, which dominates British channels, is destroying what made it cherishable to me and lots of others in the first place. I loved Alan Clarke, Ken Loach and Alan Bleasdale's work. In fact the first TV dramas I ever saw were 'Screen Twos' produced by David Thompson, who also produced a lot of Alan Clarke.
Chris Claremont once said of Alan Moore, "if he could plot, we'd all have to get together and kill him." Which utterly misses the most compelling part of Alan's writing, the way he develops and expresses ideas and character. Plot does not define story. Plot is the framework within which ideas are explored and personalities and relationships are unfolded.
When you had the fangs in, you wanted to be a little bit careful that you didn't actually pierce the jugular, kind of like my experience shaving Alan Rickman, which by the way neither of us want to do again, especially Alan.
I don't lie to you," Alan said. "I lie WITH you." Sin stopped looking up at him from under her eyelashes and burst out laughing. Alan went red. "So I've just realized how that come out. Uh.
Don't worry, Alan. At least you'll be able to play close to a great team.
(to Alan Ball, who'd just signed for Everton)
I've played under Alan Pardew, Gianfranco Zola, Avram Grant, Sam Allardyce, Alan Curbishley and Slaven's made me captain.
Alan Ladd was a marvelous person in his simplicity. In so many ways we were kindred spirits. We both were professionally conceived through Hollywood's search for box office and the types to insure the box office. And we were both little people. Alan wasn't as short as most people believe. It was true that in certain films Alan would climb a small platform or the girl worked in a slit trench. We had no such problems together.
Said of her husband on the day their divorce became final: Oh, don't worry about Alan. . . . Alan will always land on somebody's feet.
Alan Rickman told me to do a play, so I did. Because when Alan Rickman tells you do something, you go and do it.
Nick could see the gun shaking in Alan's hand now, in tight, terrified spasms. "Last night we put a magician in the river," Alan said, his voice low and intense as if he was making a promise."Maybe we should send you to join him." "You know the rules," the woman whispered. "Don't shoot the messenger." Nick interrupted, leaning down to speak in her ear. "Do they say 'Don't cut the messenger in half with your great big sword'?
I did a Broadway show with Alan Alda
and how much money can Alan Alda have.
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