A Quote by Eddie Cantor

Words fascinate me. They always have. For me, browsing in a dictionary is like being turned loose in a bank. — © Eddie Cantor
Words fascinate me. They always have. For me, browsing in a dictionary is like being turned loose in a bank.
Actually if a writer needs a dictionary he should not write. He should have read the dictionary at least three times from beginning to end and then have loaned it to someone who needs it. There are only certain words which are valid and similes (bring me my dictionary) are like defective ammunition (the lowest thing I can think of at this time).
I like to write about things that fascinate me because I believe that they will also fascinate my readers as well.
Writing to me is a deeply personal, even a secret function and when the product I turned loose it is cut off from me and I have no sense of its being mine. Consequently criticism doesn't mean anything to me. As a disciplinary matter, it is too late.
You have got me walking up and down all day under those trees, saying to me over and over again, "Solitude, solitude." And You have turned around and thrown the world in my lap. You have told me, "Leave all things and follow me," and then You have tied half of New York to my foot like a ball and chain. You have got me kneeling behind that pillar with my mind making a noise like a bank. Is that contemplation?
Music is a language, and it's like a dictionary that has a lot of words, but if you limited yourself to a couple of definitions you would be illiterate. If one limits oneself to a peculiar definition like 'new music,' 'avant-garde,' or something like that, I think it's like cutting out half the dictionary.
Emotions fascinate me, just being able to express myself through acting. I love that. And I think, in everyday life, you're always trying to repress your emotions. Like if you're sad, you don't want to show it to someone else.
I always like to write the songs, and they get turned loose into the world, and who knows what happens to them. That's the joy of being a songwriter. You get to hear what other people do, interpretation-wise.
It was Nick's voice Nick's arms. He turned me on my back and swam with me, pulling me to the bank.
I used to keep a dictionary and work with it and then I realized there are more words that exist in the English language than there are in this dictionary.
People are always asking if I was mad at Houston. Honestly, I'm not. The truth of the matter is that when I was there, I didn't perform and they actually did me a favor by cutting me loose. They could have really held me there, not let me leave, bury me in Triple-A, put me behind some prospects and I would never even play.
Women? Well, they are gods. They will always fascinate me. As for rope, I always have it with me. Even when I forget my film, the rope is always in my bag. Since I can't tie their hearts up, I tie their bodies up instead.
I believe in a Republic of Merit in which water is allowed to find its own level, where voters, like drivers, are tested before being turned loose.
I try to shake it loose-but these ideas, they cling. It's like I'm shackled to them with an iron chain. They rattle along behind me, dragging against the ground, always reminding me of their presence.
The dictionary is like a time capsule of all of human thinking ever since words began to be written down. And exploring where words have come from can increase your understanding of the words themselves and expand your understanding of how to use the words, and all of this change happens in your thinking when you read the words.
The two basic topics which fascinate me are 'What is reality?' and 'What constitutes the authentic human being?'
By the age of nine or ten, I knew that I loved history and writing. It got hold of me and never turned loose.
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