A Quote by Eddie Cibrian
Well, my wife doesn't engage. I mean if you want to look back, really dig down and be a journalist, look at the timelines and you will see that there is a big discrepancy and there really is no going back and forth, my wife sometimes I mean you eventually you have to say something, enough is enough, but the truth is she has always taken the high road.
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My personal time is limited, more so than I wish. However, my wife and I have talked about the fact that there are opportunities right now that won't be there forever. For example, when the Grateful Dead offered me to tour in 2004, my first reaction was to say no, I just can't do it. Then my wife said, "Well, let's rethink this. You don't want to look back down the road and say, I could've done that, but I said no." So, we made it work.
I have always tried to teach my players to be fighters. When I say that, I don't mean put up your dukes and get in a fistfight over something. I'm talking about facing adversity in your life. There is not a person alive who isn't going to have some awfully bad days in their lives. I tell my players that what I mean by fighting is when your house burns down, and your wife runs off with the drummer, and you've lost your job and all the odds are against you. What are you going to do? Most people just lay down and quit. Well, I want my people to fight back.
Clarity is of no importance because nobody listens and nobody knows what you mean no matter what you mean, nor how clearly you mean what you mean. But if you have vitality enough of knowing
enough of what you mean, somebody and sometime and sometimes a great many will have to realize that you know what you mean and so they will agree that you mean what you know, what you know
you mean, which is as near as anybody can come to understanding any one.
What I see in Scripture are the priorities: My wife was beautiful to me, and she loved God, and we got along well. When I look in Scripture for what I want in a wife, here she is, right here.
So we [with Kate DiCamillo] would act them out, we would toss ideas back and forth, we would laugh, we would argue. Sometimes it went really well, sometimes it was such a pain in the ass. Our other rule was that we wouldn't work on it at all when we weren't in the other's presence. It was really hard not to do that. We'd start going on email back and forth, 'What do you think about this, what do you think about that?' But, no, no, no, it had to be live. So we forced ourselves not to look at it except during those two-hour stretches when we were actually with each other.
And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned into a pillar of salt. So it goes.
Well, besides being entertained, I’d like to move them emotionally. I mean I really want to uplift them. I want to look down at the audience, and this is personal experiences now I’m going to tell you. It’s like you look down at the audience and see people smiling, crying, hugging each other. I want them on their way home to feel empowered like they can do anything.
Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human.
I really do see the good in people, and I don't want to change that. That's really how I view things, so sometimes I'll look past a lot of huge red flags because I see something else in someone. Then, of course, it always comes back to haunt me in the long run.
It can't be any new note. When you look at the keyboard, all the notes are there already. But if you mean a note enough, it will sound different. You got to pick the notes you really mean!
I would seriously question whether anybody is really foolish enough to really say what they mean. Sometimes I think that civilization as we know it would kind of break down if we all were completely honest.
People don't think I'm big enough to be mean. I don't look big enough, but I am.
I remember my wife wanted me to go see 'Contagion,' and I was like, 'Oh my God, why would I want to see that movie?' I mean, I'll just have nightmares and it will freak me out. It turned out that I really enjoyed it; I thought it was very well done.
Sit down at ten o'clock in the morning and write anything that comes into my head until twelve. One of the few things I've discovered about writing is to form a habit that becomes an addiction so that if you don't put something down on paper every day, you get really mean and awful with withdrawal symptoms, and your wife and your dog and your kids are going to kick your ass until you get back to it because they can't bear you in that state of mind.
Every time you do a true story - and I've done a few - you have to look in the mirror and say, 'That's close enough. I'm comfortable with this.' You're always going to compress time; you're going to change the order of things. But I don't think you want to tell a big lie. You want to think that you're embracing the truth.
Sometimes I will give some very vague directions to the designer that I'm working with on a particular project and they'll come back and surprise me with something that really shows a lot of their own 'hand' in it. Other times I'll have a really clear idea about how I want it done and I'll draw it out pretty precisely and say 'make it look exactly like this' and it will be something where it looks like I can say it was 'fully my design'. The work can also range between the two.
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