A Quote by Eddie George
Every word that I say, every song that I sing, and literally every move that I make [ in Chicaho musical] has much purpose.
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My approach is so simple; every song I sing, every story I tell, every move I make, must move the audience to laughter, tears, or inspiration. Otherwise, why do it? It's the communication.
Every breath you take and every move you make
Every bond you break, every step you take
I'll be watchin' you
Every single day and every word you say
Every game you play, every night you stay
I'll be watchin' you
I don't know why people are so surprised by my live performances. My approach is so simple; every song I sing, every story I tell, every move I make, must move the audience to laughter, tears or inspiration. Otherwise, why should I do it?
Throughout my career, if I have done anything, I have paid attention to every note and every word I sing - if I respect the song. If I cannot project this to a listener, I fail.
You are the song of every bird, you are the poet's every word, every artist's picture, every writer's play.
I wouldn't exclude writing another song in German, but I don't want to translate songs anymore. We used to sit down and literally translate every song word for word - it was very technical, and the songs would lose so much along the way.
I just sing the song and I sing it with conviction, meaning and I get into the mood of every song I do no matter how much time I have in between.
Every kingdom work, whether publicly performed or privately endeavored, partakes of the kingdom's imperishable character. Every honest intention, every stumbling word of witness, every resistance of temptation, every motion of repentance, every gesture of concern, every routine engagement, every motion of worship, every struggle towards obedience, every mumbled prayer, everything, literally, which flows out of our faith-relationship with the Ever-Living One, will find its place in the ever-living heavenly order which will dawn at his coming.
Silence is Golden; it has divine power and immense energy. Try to pay more attention to the silence than to the sounds. Paying attention to outer silence creates inner silence: the mind becomes still. Every sound is born out of silence, dies back into silence, and during its life span is surrounded by silence. Silence enables the sound to be. It is an intrinsic but unmanifested part of every sound, every musical note, every song, and every word. The unmanifested is present in this world as silence. All you have to do is pay attention to it.
I have found in every word a certain musical value, a melody in every thought, harmony in every feeling, and I have tried to interpret the same things with clear and simple words to those who used to listen to my music.
I try to write down every song that comes to me, even though I know that every song that comes to me isnt a song that I need to sing.
I try to write down every song that comes to me, even though I know that every song that comes to me isn't a song that I need to sing.
You are life, inventing form. No more can you die on sword or years than you can die on doorways through which you walk, one room into another. Every room gives its word for you to speak, every passage its song for you to sing.
Every song has a composer, every book has an author, every car has a maker, every painting has a painter, and every building has a builder. So it isn't irrational to take this simple logic a little further and say that nature must have had a Maker. It would be irrational to believe that it made itself.
I think that's what makes my music different from other artists in my lane is that I write every word that's on my album, and every word comes from a real experience or a real feeling that I've either experienced or felt. And I'm very particular about that, and I take a lot of pride in it, so you know if I say something on a song, I mean it.
The secret of good writing is to strip every sentence to its cleanest components. Every word that serves no function, every long word that could be a short word, every adverb that carries the same meaning that’s already in the verb, every passive construction that leaves the reader unsure of who is doing what—these are the thousand and one adulterants that weaken the strength of a sentence. And they usually occur in proportion to the education and rank.
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