A Quote by Eddie Griffin

Those series from the '70s and '80s with a studio audience are dead. — © Eddie Griffin
Those series from the '70s and '80s with a studio audience are dead.
I have done a series in the '60s, '70s and '80s.
I'm like an '80s kid. I was born in the mid-'70s. By the time the '80s kicked in, I'm listening to Dead Kennedys, but I'm also listening to Simple Minds.
We're seeing TV series that are as good as movies were in the '70s and '80s - shows like 'The Wire,' 'The Sopranos' and 'Breaking Bad.'
I'm really excited that the studio is trying, because when I began my career in the early '90s, late '80s, Disney was not something - though I respected it and liked what they were doing in those years - it's not like I thought I wanted to be a part of that studio right now.
In Australia in the '70s, there was a real embrace of different genres. And then George Miller did 'Mad Max' by the end of the '70s, the beginning of the '80s. And it was really thriving.
The '70s just seemed dirty, honestly, and not in an interesting way. It's not the '80s. In fact, it's 10 less. I grew up in the '80s, so that's more of an interesting time to me.
When I began writing poems, it was in the late 60s and early 70s when the literary and cultural atmosphere was very much affected by what was going on in the world, which was, in succession, the civil rights movement, the antiwar movement, and the women's movement in the 60s, 70s, and into the early 80s. And all of those things affected me and affected my thinking, particularly the Vietnam War.
There's that thing about the '80s, the '40s and the '60s, and the '30s, the '50s and the '70s. Something about those odd decades in this century that weren't too pleasant.
I've always wanted to work in America because of those brilliant east-coast political movies of the '70s and '80s - great scripts, wonderful performances, gritty urban parable.
I used to empty the studio out and throw stuff away. I now don't. There will be a whole series of dead ends that a year or two down the line I'll come back to
I used to empty the studio out and throw stuff away. I now don't. There will be a whole series of dead ends that a year or two down the line I'll come back to.
I was born in the late '50s, was a child of the '60s, then the '70s, then the '80s, then the '90s, and I have mental fingers in all those pies.
I am an old-school guitar player. I'm not an '80s-'90s sort of shredder who plays a million notes a minute. I am way more '60s-'70s kind of style, and I write very '60s-'70s.
I was a child of the '60s basically, which is a real blank. I really started growing up, I think, in the '70s. I'm a glam-rock kid. But Dublin, Ireland in those days was a very dark place, as in it was a very poor, almost third world. Economically, the whole world is going through a recession at the moment. In the '60s, '70s, and the '80s in Ireland was a real recession. It wasn't a pleasant place.
I have been in the series for over 3 years - 3 series. There will be a fourth series next year which of course I won't be in because I'm now dead. So in total I appeared in 25 episodes.
What strikes me about Toronto is that Toronto's great misfortune was to have too much money in the late 70s and early 80s, and consequently, it built in the style of those periods, which is hideous.
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