A Quote by Eddie Izzard
I try to keep performing as much as possible - I just like to. I used to take huge gaps off between gigs, now I just like to do stand-up gigs as much as I can.
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I don't really do any corporate gigs or I don't really cash in which is a bit silly and much to the annoyance of my family. I'd rather just do gigs that I like and TV shows that I like rather than personal appearances at a nightclub.
I felt that, as time went on, an audience gets to know you and in a weird way, you kind of feel like you get to know the audience a little bit. When I'm doing stand-up gigs now, I feel like I'm doing gigs in front of people I know. I think that's the result of doing late-night shows for so long.
It's just to break things up between stand-up gigs. I would only do it periodically. Maybe just an East Coast thing.
Don't edit yourself too much. Don't be afraid of looking stupid, 'cool' is so rarely funny I think. And just do it! Do as many gigs as you possibly can, and watch as many gigs as you possibly can. You'll get the rhythm of it in your head and make lovely friends.
At the moment I have my family coming out with me on the road. We have our own vehicle and its more like a family vacation. I just stop, do some gigs, and take off. Its a lot more fun now with the family.
At the moment I have my family coming out with me on the road. We have our own vehicle and it's more like a family vacation. I just stop, do some gigs, and take off. It's a lot more fun now with the family.
One of the things that happened is I did a lot of shitty gigs. When you do a bunch of shitty bar gigs you have to get used to people yelling at you, you're used to thinking on the fly, to dealing with weird situations.
I started stand-up in 2007. I'd done a couple of gigs before that, but not much, and I was in a sketch group at Uni from 2005 as well.
It helps so much being on location. It's like the difference between performing for the rectangle of the camera versus a world being created and then the camera finds things within that. There's a huge difference in that, because what it takes away is performance. You don't feel like performing. You're just kind of doing it. You're existing.
There was a period when I stopped talking so much, because I was just going through certain things. I just did the gigs and just stayed in, tried to stay away.
All gigs are good gigs. There's never a bad one. Everything have a reason behind it; you just got to find that reason.
Every time I listen back to solos of mine I'll hear something I like and then another phrase that I can't stand. You have to live with what you play. And the recording medium puts that on us. When I play live gigs I don't think so much like that.
I just feel so upset when I think of all the lost years when I could have been doing stand-up gigs.
Well, for the My Generation album, there was nothing to be nervous about in them days. We used to take every day as it came. Every day was just a gig and I think we did the recording between gigs literally.
Athens, much like Austin, is a difficult music scene. There are so many musicians there that it is hard to get gigs and hard for people to take you seriously.
Because there's just so much in a day now, I keep writing in much more abstract terms, like I don't try to write about what happened anymore. It would be impossible.
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