A Quote by Eddie Izzard

Boy bands should be exploded from a great height. They're just pretty people singing music written by others. — © Eddie Izzard
Boy bands should be exploded from a great height. They're just pretty people singing music written by others.
I think there will always be great new music and bands. As long as there's people around, there's going to be great music. I think there's bands like Wolf Eyes, Q & Not U, the Evens and many others that are doing great stuff. The music that doesn't please you, you just don't listen. No one makes me listen to Nickelback, so long may they wave.
Rock & Roll is so great, people should start dying for it. You don't understand. The music gave you back the beat so you could dream. A whole generation running with a Fender bass...The people just have to die for the music. People are dying for everything else, so why not the music? Die for it. Isn't it pretty? Wouldn't you die for something pretty?Perhaps I should die. After all, all the great blues singers did die. But life is getting better now.I don't want to die. Do I? - Lou Reed (1965-1968)
Rock & roll is so great, people should start dying for it. You don't understand. The music gave you back your beat so you could dream...The people just have to die for the music. People are dying for everything else, so why not for music? Die for it. Isn't it pretty? Wouldn't you die for something pretty?
I don't like bands who would play music like Code. I mean I hate most bands with emotional singing parts (I adore metal singing like Iron Maiden though!)
I was in punk rock bands, heavy metal bands, world music bands, jazz groups, any type of music that would take me. I just love music.
The music industry is not what it used to be. Being in a good band is great, and I've been lucky to be in great bands. I've done solo stuff, and that's been great. I also produce rock bands and I do co-writes, where I write with different singers in bands and songwriters.
I was in rock music in London when it was the height of Brit pop, with The Kinks revival and Suede and Blur and Oasis, and all of those really great bands that were of a certain style. If I'd really been smart and commercially minded, I would have just got myself a blazer and some Stay Press and some Fred Perry tops, and just gone out and tried to do it like everyone else. Instead, I did this ridiculous thing of trying to do this music.
Imagine a music business where all the music press talked about, all day long, was cover bands of old rock and pop groups. Beatles cover bands, Rolling Stones cover bands, The Who cover bands, Led Zeppelin cover bands. Cover bands, cover bands, everywhere you go.
I do love dance music. I love Daft Punk. I mean, I was a child in the '80s, so bands like the Eurythmics and just so many great '80s bands were dance bands, but they had the whole soul thing happening, too.
Now bands have to sing live, now people watch who sings on the record, now people want to hear the real music and not just plastic bands anymore. So I think we changed the music business to a better, more honest way.
I started writing songs for youth theater and stuff, and so it's really writing music for the stage that started me out, but then I eventually went to music college and did a two-year course in contemporary music and then just played in endless bands, cover bands, jazz bands.
There are tons of people who have made great music, great art, great whatever, but you don't know about them until the people lift you to a certain height so that you could even be visible and get any kind of recognition.
I definitely make an effort to work on different styles of music: not working on too many post-rock bands, or too many heavy bands, or too many folk bands, or just whatever. I have no desire to be known as somebody that just works on a single style of music and would rather avoid it, actually.
The music that really moves me is music that's written by people where there isn't a lot of money and they're really singing with just their voice and a guitar about their feelings and about their life. Their poetry is relatively simple, in the sense that it's about their soul in jeopardy.
For music, I always just played music myself - and, I had rock bands and wrote songs and put bands together that were loud, but not especially good. That was sort of the place music had in my career.
LCD live was set up to be an argument about what's wrong with bands and why bands should be better. I always thought that we were so obviously not a great band, comically not a great band. I was not a great front man.
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