A Quote by Eddie Marsan

I always think of Gilbert Norrell as being Salieri to Jonathan Strange being Mozart. — © Eddie Marsan
I always think of Gilbert Norrell as being Salieri to Jonathan Strange being Mozart.
I read Susanna Clarke's Jonathan Strange & Mr. Norrell, which I think will subsequently be recognized as one of the first great novels of the 21st century.
In 'Jonathan Strange & Mr. Norrell,' I wanted to create the most convincing story of magic and magicians that I could.
'Jonathan Strange & Mr. Norrell' by Susanna Clarke is a big, thick book. About a thousand pages in paperback. I've heard several people say the size alone intimidated them.
The phone conversations about a possible TV series of 'Jonathan Strange & Mr. Norrell' stretch back years, but now that the moment has come, now that I am actually here at Wentworth Woodhouse, I lose my bearings.
I never quite dare to believe I'm brave enough to be an artist, but I'm on the side of artists. I think of myself as a bit of a Salieri, looking with longing eyes at Mozart.
There is a strange kind of human being in whom there is an eternal struggle between body and soul, animal and god, for dominance. In all great men this mixture is striking, and in none more so than in Wolfgang Amadeus Mozart.
In Mozart and Salieri we see the contrast between the genius which does what it must and the talent which does what it can.
People realize that Salieri is not the man we saw in the Amadeus movie. That man had no talent. It was a great movie, but the Salieri character was a big fiction.
Being actors is a strange job. To try to go live that out, it's a very strange thing to want to do when you step back and think about it.
When I started, my teachers told me that I had to sing Mozart, Mozart, Mozart. I said, No, I want to sing all the other stuff. If you do not push yourself, you will stay the same. Maybe some singers are happy with that, but I have to move, I have to do something new always.
When I started, my teachers told me that I had to sing 'Mozart, Mozart, Mozart.' I said, 'No, I want to sing all the other stuff.' If you do not push yourself, you will stay the same. Maybe some singers are happy with that, but I have to move, I have to do something new always.
I never thought I would write the way that I write for the studios now, which is like, not little novels, but be someone who literally is more like, you know, sometimes I guess we describe, we're more Salieri than Mozart.
I always think about my lifestyle when designing, so that's being a mother, being a career woman, being a wife, and being a woman who loves to entertain.
I don't think I realized right away that I was switching from being a fan into being a performer. I've always tried to maintain that duality, because I think fandom is a way of being porous and curious, but it did feel like a step forward.
Einstein was very attracted to Mozart. There's a mathematical, classical structure to the music, and I think he identified with that very strongly. I think there also is a connection between being a genius and a polymath.
I think, in the past, being brave - being powerful, being strong - were qualities that people associated with being masculine. And I think... no, I don't think - I know that now we're realizing they can be feminine, too.
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