A Quote by Eddie Marsan
I thought 'Lock Stock' was a good film. I thought 'Lock Stock' was a good film because I think it was a one-off before it was imitated a hundred times.
Related Quotes
I had seen 'Lock, Stock and Two Smoking Barrels' and I thought that was a different kind of film than I'd seen before, with that kind of editing and slick camera movements.
All the other guys I think had a scream on Lock, Stock. They just had a laugh and a crack, and thought it would never come out; they were just having a good time. On this one, I felt that.
As soon as you think you've got the key to the stock market, they change the lock.
The stock market really isn't a gamble, as long as you pick good companies that you think will do well, and not just because of the stock price.
When you lock a movie's release date and then move it two months, it's just not good. It's good for everything but the cast, crew, and people who are creatively trying to make a film.
Previously, on Lock, Stock, I went to bed at two in the morning and woke up at five in the morning, and on this one I was known to nod off on the set occasionally.
There's going to be no compromise on repealing Obamacare lock, stock and barrel.
Although there are good and bad companies, there is no such thing as a good stock; there are only good stock prices, which come and go.
One friend said, "Donnie Darko movie was weird!" And I thought, "Hmm. I don't think we're as good of friends as I thought." It's not like I disliked him for it; it just meant we weren't on the same page I thought we were. Because I can't imagine watching that film and not being moved to tears.
It's a romantic view of Canada. It's like Michael Moore saying we don't lock our doors in Canada. I lock my door mainly because my girlfriend wants me to lock the door, but mind you we lock our doors. It is a little simplistic to say that we blend easily back home with other cultures. It's difficult, but I think it's mainly a big city phenomenon.
On Lock, Stock, we didn't know where the money for shooting the next day was coming from.
There was no actually stock footage in "Medium Cool." I wrote the script. I wrote the riots. And I integrated the actors in the film in the park during the demonstrations. But nowhere was it like we had stock footage and then later, in editing, integrated it into the film. It was all done at the time.
I was in 'Lock, Stock and Two Smoking Barrels,' and I like my bad boy movie movies.
When Jack Swagger copies my Ankle Lock and Randy Orton does my Angle Slam, it's disrespectful. I didn't come up with the Ankle Lock; Ken Shamrock came up with the Ankle Lock, but I waited until he retired to do the Ankle Lock.
You want to be appreciated for all your work as opposed to one performance, but I'll always be 'that bloke from 'Lock, Stock'.' You've got to embrace it.
During the entire process of making this film I never thought about whom I was making it for. I always thought that the film was for me, but I didn't think of any of that. I just did what I thought I had to do. I didn't think, "This is what children are going to think" or "This is what adults will understand."
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