A Quote by Eddie Marsan
When I was doing fringe theatre, my ambition was to do repertory. When I got to rep it was to do national theatre; then it was t,o get a couple of parts in television. I never had this great desire to overreach myself. I was too busy enjoying acting. I was just obsessed with it.
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I went to theatre school for four years and just wanted to do theatre. I had no ambition to be on TV or to be on camera. I just wanted to go to New York or London and be on stage... I did a lot of theatre in Montreal, got involved in TV in Toronto and then moved to L.A. I hope that film and TV will take me back to theatre.
But then I got a job selling coffee at the York Theatre, and when I met theatre people, something clicked. I felt comfortable with them; I felt like myself. I decided to go to drama school based just on that feeling. I had never done any acting.
I pretty much got into theatre to do community theatre and things, but then I went to Williamstown and found an agent. I then went to New York and did a lot of theatre there, so I started doing only theatre.
I've never done stand-up; I came via small-scale touring theatre, through the Royal Shakespeare Company, the National Theatre, then I got employed on that as an actor who had a humorous sensibility.
I've done a lot of costume drama and theatre - the National Theatre and In fact, most of my work at the theatre, at the National Theatre anyway, was period.
I did fringe theatre for so many years, and then I got my first play at the RSC, which was an amazing feeling, but I was 30 and had started acting in my early twenties.
I was crazy into performing when I was younger. I was obsessed with the craft of acting, and theatre, and stage. You know the term 'theatre geek?' I am the extreme theatre geek.
I'm doing The Physicists, which is great, and I do have my agent to thank for that because a lot of agents try and talk you out of doing theatre. They don't push theatre because you can make more money doing television, whereas theatre wages are pretty shocking. But it's something I've always been keen to do and have been encouraged to do so, which is nice.
After studying theatre from National School of Drama, theatre became a passion, an ambition.
After my schooling, I started theatre. By the time I graduated, I was doing theatre 24x7. Luckily, the FTII (Film and Television Institute of India) acting course started.
On the one hand, young theatre directors were coming to television theatre, because they wanted to get closer to the cinema, despite having studied and worked for the theatre.
As my passion is theatre when I do a film I'm taking time out from my theatre career. So, I'm desperate to get back into the theatre. So, I have to make sure that I put my foot down, especially with the agents and stuff, and say: "Hey no, I'm doing some theatre!" It is hard but it matters so much to me that it's just something that's going to be necessary and people will have to deal with it.
I worked in rep for six years, then I came to London and to the National Theatre. What's better than that?
I worked in rep for six years, then I came to London and to the National Theatre. What's better than that
Maybe six months out of drama school, I was working at the Dundee Rep Theatre, I worked there for about a year, and I had an audition for the National Theatre of Scotland. I went into the audition room and when I came out I realized my fly was undone. I did this whole dramatic speech with my fly hanging low.
I started - well, in England it works a little bit differently. You have to do Fringe theatre, which is basically free theatre. You do it in pubs and small theaters and village halls across the country, and you work for a theatre company. You're part of a troupe.
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