A Quote by Eddie Murphy

Theres this little box that African-American actors have to work in, in the first place, and I was able to rise above that box. I could have done a bunch of movies where I stayed as the Axel Foley or Reggie Hammond persona. But I didnt want to be doing the same thing all the time. Every now and then, you crash and burn, but thats part of it.
There's this little box that African-American actors have to work in, in the first place, and I was able to rise above that box. I could have done a bunch of movies where I stayed as the Axel Foley or Reggie Hammond persona. But I didn't want to be doing the same thing all the time. Every now and then, you crash and burn, but that's part of it.
They are born, put in a box; they go home to live in a box; they study by ticking boxes; they go to what is called "work" in a box, where they sit in their cubicle box; they drive to the grocery store in a box to buy food in a box; they talk about thinking "outside the box"; and when they die they are put in a box.
I've spent my whole career trying to stay out of any box that anyone could put me in. 'I'm going to do a play now.' 'Now I'll do a musical.' That was my instinct. So I don't feel boxed in. But 'African-American woman' is part of my identity. I don't want to relinquish that - especially as a mother, helping my daughter find her identity.
I want to make sure to fix these obvious things - like keeping the box CLEAN! Another thing that might affect this [cats going outside the litter box] is if you put the litter box in a laundry room where people are walking by there all the time, the cat might feel kinda too exposed. When you gotta poop, you know, it takes a little longer. You want a little more privacy.
I've made it my mission to make movies starring African American actors and about the African American experience and put them in the mainstream. They're very universal stories I've told - every movie I've done.
If you want people to think out of the box, you shouldn't create the box in the first place.
The edge is a great place to be. Inside the box is too dark. Outside the box, there's no leverage. But on the edge of the box, you can get things done!
Every job I've done so far, every character has been completely different, and that's really important to me because I don't want to fall into a stereotypical box. Of course, every actor has their box, and you have to respect and play for it, but I do love challenging myself.
At the end of their relationship she asked if they could still remain friends. His face stayed expressionless until he said "No. Because we put friends in boxes. You see them once in a while, or even a lot, but still they have their box in your life, their specific place. Their *category.* That's one of the great things about being someone's love-- you have no box in their life because you're part of all their boxes. You're their friend, their lover, their confidante-- all those things. I don't want to be put in one of your boxes and I don't want to shrink you to fit into one of mine.
I learn from Larry Ellison every day. I've said this before: how is it to work with someone who thinks out of the box? Larry doesn't see the walls at all; he does not see the box. He is an absolute, true visionary. And to be honest, I always find myself in a box! I'm comfy in my box. I've furnished it; it's lovely.
If you're intuitive and you have a desire for people to be happy and you want equilibrium and you want life to be good, then you'll worry. But we need to embrace the idea that, "No, I'm putting that aside, over there, in a box. I'll open that box when I wake up in the morning and deal with it then." I really find that men tend to do that, and it's great to be able to do.
Marvel and Disney and all the other superhero movies have to stay within this box and this is an opportunity to jump outside that box. To be the apple among oranges, and really embrace it. So, in terms of us getting what we wanted and what we originally wrote, we largely stayed consistent to that.
In the future, you won't buy artists' works; you'll buy software that makes original pieces of 'their' works, or that recreates their way of looking at things. You could buy a Shostakovich box, or you could buy a Brahms box. You might want some Shostakovich slow-movement-like music to be generated. So then you use that box.
When you first come out of the box, you want to play the 300-capacity place, then it's 1,600-capacity, then it's an arena - so, do you want to be in a stadium now? The ego keeps telling you that it's not enough.
I want stuff to play as wide as possible. I want to be able to see... if I could play the whole thing in a master and it could be compelling enough, that'd be great. Then it simplifies my day, it simplifies life for the actors when you could just focus on that. But by the same token I don't want to be forced into coverage. So I want it to be as good from every angle and I need to get as many of the kind of shadings that I want from every angle.
Everybody likes new shoes! It is a new feeling, going onto the pitch, so it is great to be able to wear them straight out of the box. They are comfortable straight away and move with you. I could not do that with my old shoes. So every time I have a big match, I want new shoes straight out of the box.
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