A Quote by Eddie Murphy
I started out as an impressionist and that’s all about observing, how people move, their voice quality, their attitudes and quirks.
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I started out as an impressionist and that's all about observing - how people move, their voice quality, their attitudes and quirks.
It's strange. No one ever really talked to me about my voice. People started writing about it, and I was like, 'What?' I'm really about my lyrics, but more people were talking about my voice. It's cool, but at first I got upset because I wanted people to focus on the content.
I think when I started going to war zones and started covering humanitarian issues, it became a calling because I realized I had a voice, and I can give people without a voice a voice... and now it is something that sits inside of me every day.
Quit worrying about people that are trying to hold you back. God knows how to move the wrong people out of your life and bring the right people in. He knows how to prepare you to Break Out.
But I'm pretty lucky with my voice. When I first started touring I went to see a woman to give me some coaching on how not to lose my voice. And she was just saying really your voice is a muscle so if you're using it all the time you should actually come back from tour with a stronger voice than you left with. And that's really how I find it.
The very first Walnut Whales recording was recorded just a few weeks after I had started singing, out of the blue, started singing. And the voice, you can hear how uncomfortable I am with it, and how terrified I am with it.
When I started out in stand-up, I was already used to speaking in front of people, how to project, control my voice - a lot of learning curves I had overcome.
I started out writing when I was young; stuff about exposing the truth about how people are not what they appear, about how they are much more dysfunctional than they seem. Pulling back the curtain - that felt smart. But as I got older, exposing how frail people can be seems less and less deep.
My interest in women's voices started when I was in the boys' choir and we were singing in opera choruses. That was my first close-up experience with the female soprano voice. I was amazed at how it could be within the same scale but so different in quality.
I love beautiful things; I like having nice clothes, and I can appreciate why other people do - but I've also started to learn more about the impact of what we buy: how things are made, how much you buy and the quality of everything.
It's pretty interesting how it all started out. After The Voice, I got introduced to some of my publishing people. We were out in Los Angeles and they said to give them a call when the show was all said and done and they'd get me into the writing world.
In Paris, I was really singing for the sake of living. But eventually people said, 'Keep going; you've got a great voice,' and I started having confidence in my voice all of a sudden. That's when I started creating my own music.
Music is the voice of the soul and can move mountains. People receive the message of the soul through the voice. It is a voice, the tone that moves something in people.
My first policy move would be to try to get a conversation going in the US about what people stand for and what we really want. Do we want to keep adding people to the world and to our country until we move to a battery-chicken kind of existence and then collapse? Or do we want to think hard about what really is valuable to us, and figure out how many people we can supply that to sustainably?
The only way to come to a full acceptance and understanding of yourself is to embrace your own culture, quirks and differences while learning about those around you and exploring, incorporating and embracing their cultures, differences, quirks, etcetera.
I'm trying to make the case that the church can indeed, from within its own resources, move out of a false, and often a hateful, characterization of and set of attitudes toward gay and lesbian people.
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