A Quote by Eddie Murphy
I think I have enough of a sense to know what works for me and what doesn't, without going into some big thing and analyzing what I do. I'm in a position that allows me to do what I want to do, and I do it.
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I have enough of a sense to know what works for me and what doesn't, without going into some big thing and analyzing what I do. I'm in a position that allows me to do what I want to do, and I do it.
People think they want to know how magic works, but really they don't. How it works is never as amazing as what the trick was in the first place, so it's never going to make you feel good. Somebody just wanting to know how a trick works is never enough to make me want to tell them.
There's a big part of me that's atheist. There's a big part of me that's agnostic. And there's a big part of me that tends towards the mystic. The thing that I find is most important in all of that is to retain my sense of wonder and the idea that I don't actually know what's going to happen.
I never liked to work because I don't want no one to be a slave. I want to be worked in my mind. Every thing that's going on, there's some big spirit behind me who send me to do the thing that I must do.
We've got enough issues in this country without worrying about some of the things we're worrying about. It's unbelievable to me. And as long as I'm alive, I know what football gave me. It taught me my work ethic. It gave me a sense of discipline.
I want a girl who lets me do my own thing, but who is going to be by my side the whole time, because I know I'd be supportive of her. And kissing is a big thing for me! You have to be a good kisser.
I know Elon, we're very like minded in many ways. We're not conceptual twins. One thing I want us to do is go to Mars, but for me it's one thing. He's singularly focused on that. I think motivation wise, for me I don't find that Plan B idea motivating. I don't want a plan B for Earth, I want Plan B to make sure Plan A works.
I do think it's possible for me to go back to the studio, and for a lot of women filmmakers to be going back into studio filmmaking with a different sense of their own agency, and a different sense of the respect that they can command. When you asked the question about whether women want to be making big studio movies, the answer is almost always yes. It's just, how do they want to be treated? What is that experience going to be? And if you know the experience is gonna be shitty going into it, I personally am at a place where I'm not willing to punish myself any longer.
Who are you talking to right now? Who is it you think you see? Do you know how much I make a year? I mean, even if I told you, you wouldn't believe it. Do you know what would happen if I suddenly decided to stop going into work? A business big enough that it could be listed on the NASDAQ goes belly up. Disappears. It ceases to exist, without me.
At times I've got a really big ego. But I'll tell you the best thing about me. I'm some guy's dad; I'm some little gal's dad. When I die, if they say I was Annie's husband and Zachary John and Anna Kate's father, boy, that's enough for me to be remembered by. That's more than enough.
You set me up," I say. "One big con. You can't blame me because I turned out not to be gullible enough. You can't blame the mark. That's not how it works. Have some respect for the nature of the game.
I couldn't change anything without changing the end position, and I'm perfectly happy now. So whatever I feel in some sense may have been a mistake in the past is, in another sense, not a mistake, because it's left me here.
I'm not a real musician. If you give me a bass guitar and you ask me to improvise something, or even be with some musicians and follow them, I wouldn't be able to do it. And I want to change that. I want to be able to be in a group and take my guitar and play with them, without someone showing me, "Okay, you're going to do this and that," because music has always been a big part of my life.
Many of my sharpest critics have decided to take a position of ignoring me - because they feel that by attacking me, they would draw attention to my book and give me more publicity and help me sell more books. So I think that they decided that the best thing for them to do is to say nothing. Also, I think that some of my critics simply can't refute my argument - and so it's easier for them to ignore it as well, so that they're not forced to confront the logical contradiction in their own position.
I think everyone evolves over the years, but I have always had the silhouette that I know suits me. I am never going to wear a frothy, poufy thing that sticks out because I have found a style that works for me, and I stick with it.
If I'm only fighting once or twice a year, that's just not going to be enough to make a dent in the sport or enough financially for me to get myself to where I want to be and position myself.
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