A Quote by Eddie Plank

There are only so many pitches in this old arm, and I don't believe in wasting them throwing to first base. — © Eddie Plank
There are only so many pitches in this old arm, and I don't believe in wasting them throwing to first base.
Yes, I see the Mobile Base System really is the shoulder of the arm. The arm is right there, like a human arm. It's really funny to look at the similarities between a human arm and the Canadian robotics arm.
If you can get an out on one pitch, take it. Let the strikeouts come on the outstanding pitches. Winning is the big thing. If you throw a lot of pitches, before you know it, your arm is gone.
When you lose velocity off of your fastball, one thing that suffers is your off-speed pitches - the action on your off-speed pitches. Once you lose arm speed, it takes away rotation from your off-speed pitches. The rotation is what gives them the sharpness and the nastiness.
We have heard projects with some of the writers, who we've been in business with for a long time at the studio, that we've heard as a studio - often, pitches that are still in their formation stage where we or the writers have wanted our input on developing them. We've probably heard more pitches with the network hat on. Certainly all of the outside pitches are that way, and many of the pitches that have been in great shape coming out of the studio we've heard from a network perspective.
My biggest thing is I need to see a lot of pitches, which I did today. That's good. The more pitches you see, the better your timing is going to be. But it's going to be impossible to see enough pitches. No matter how many pitches you see, it's still going to be March 6.
The only way you preserve pitching arms is throwing; that makes the arm stronger.
The only way you preserve pitching arms is throwing that makes the arm stronger.
There are certain things I can't do, certain pitches I can't hit. You stay away from them. You try to wait for pitches you can hit. The bat speed isn't what it used to be. You make up for it by using your head, working counts, getting ahead in counts and getting pitches to hit and hitting them hard.
Most men would feel insulted if it were proposed to employ them in throwing stones over a wall, and then in throwing them back, merely that they might earn their wages. But many are no more worthily employed now.
I only thought I'd get one arm done at first. One arm turned into the other arm. Then I started tattooing my lower arms. I remember saying, 'Mom, don't worry, I'm never going to do anything on my neck.' Then I went to my neck and my chest and my legs, and I kept on progressing from there.
I've got to be confident in all the pitches I'm throwing so I can throw anything in any count.
So many people report to be contemporary dancers, and they're not. They are sort of jazz dancers that feel like they're throwing a bit of classical in there. I mean, a true contemporary dancer has got ballet as their base and classical ballet, and that is their base. And then they choose to extemporize on that and go into a contemporary world.
It is wrong to take an 18-year-old boy or girl and arm them with machine guns and make them the almighty king of some little Arab village. No young man, and no old man either, should have so much power over the life and death of so many helpless individuals. It is corrupting. It sometimes provokes desperate, savage and indiscriminate violence among the occupied.
After fifteen years of facing them (pitchers) you don't really get over them. They're devious. They're the only players in the game allowed to cheat. They throw illegal pitches and they sneak foreign substances on the ball. They can inflict pain whenever they wish. And, they're the only ones on the diamond who have high ground. That's symbolic. You know what they tell you in a war - 'take the high ground first.'
I'm very direct, I don't believe in wasting time, in wasting words.
Provocations are like a Molotov cocktail. They only work one time out of ten, but when it works, it can also be dangerous for the arm that is throwing it. It's the price that has to be paid.
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