A Quote by Eddie Rabbitt

A lot of people kind of perceive me as some kind of pop act because in the early '80s 'I Love A Rainy Night' went No. 1 for two weeks in a row and 'Driving My Life Away' sold a million records.
I realized sometime in the early '80s that if I didn't do something - like planning for the future in a way, a kind of pension or something - that if I didn't do something there and then, I was going to be condemned to forever present my three years as a pop star, condensed, as a stage act for the rest of my life. Because that's normally what happens to people in the pop business.
I wanted to get my recording and become a musician again, work; with other people, do that kind of thing because I kind of got away from that for a while once we started happening, you know, selling records, sold out concerts.
For the longest time, I was just playing music and not really expecting any success - just kind of doing it because I liked doing it. While doing that, I went on a lot of shitty tours, playing to nobody, so I think it makes me appreciate it. Our band the New Pornographers have been popular for a few years now, but it still shocks me. I remember thinking we were hugely popular when we sold 15,000 records, and now this one sold 30,000 in two weeks. I'm grateful for the whole thing.
If you sold a million records, the only way you could be disappointed is if the guy down the street sold seven million. But you've got to start dodging bullets once you've sold that many records, because everybody wants to kill you. We're not in that position. We can still be very successful and not have to worry about wearing bulletproof vests.
I'm a businessman. I work for business people. The kind of thing they say is: Now we've sold a lot of records, let's sell some more.
I've sold a lot of records. I've sold, like, 150 million records, and I don't think I've had that many good reviews. It's one of those things that when you're really successful, critics hate you just because you're successful.
For me, promotional thing about some new album coming out destroys a lot of the excitement of making records. Records, movies, books - they're not supposed to be like math books. The purpose of them is to kind of take us out of ourselves and give us some sort of alternate experience or respite. To try to maximize the relationship of listening to a record through promotion is like experiencing driving a car by reading about stimulus programs. It kind of defeats the purpose.
In the early days I was on the road 45-50 weeks a year, driving from gig to gig 6-8 weeks in a row. Not everyone can do that. The show becomes the easy part. Tt's the life on the road that is the hardest... and you can't get any good at standup unless you do the road.
I got married two weeks before my mom passed away, and then a year later, I was receiving some kind of artistic success that I'd never had. All of these really beautiful things happened where I was in love and I had a career I loved, but it was all kind of under the shadow of this really dark and painful thing.
I did a pop album, 'Sogno,' in 1999. I think it's important to record another pop album because many people love pop music. By this kind of repertoire, some people can later discover classical music.
I used to do a lot of interviews in the early '80s, when my career started, but it came to a point when I decided I didn't want to talk anymore, and people kind of understood that and left me alone.
When I sold Weststar Holidays, the idea was to take stock and stop and then decide in life - we were going to travel around the world or whatever we were going to do. After about two weeks my husband said to me, 'Oh for goodness sake Deborah, get yourself a business because this is driving me bonkers.'
There are two kinds of love: we love wise and kind and beautiful people because we need them, but we love (or try to love) stupid and disagreeable people because they need us. This second kind is the more divine because that is how God loves us: not because we are lovable but because He is love, not because He needs to receive but He delights to give.
There were a lot of things I listened to, but so-called pop music never killed me, you know, the type of stuff that always seems to make it on the radio. The whole radio thing seems so... it's like they've accepted the whole "new wave" thing only because this kind of pop element came into it. In Europe they really love emotion, but here it's like, "let's stay away from it because we might cry or something".
Nobody's ever asked me to pay for a meal before I've eaten it, I've never been pulled over just because I was driving the wrong kind of car in the wrong kind of area at the wrong time of night.
I found when we released Not Your Kind of People it was hard for me to go back on tour, especially when we had some runs that were 7 or 8 weeks in a row and I wouldn't see my family the whole time. It has gotten easier with the internet you know because you can Skype or get on Facetime and connect with your family. It was much harder to do that when we started Garbage 20 years ago.
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