A Quote by Eddie Rabbitt

I'm there from conception to delivery of an album because I don't want anybody getting in the middle of my music and meddling with my work while I'm on the road. — © Eddie Rabbitt
I'm there from conception to delivery of an album because I don't want anybody getting in the middle of my music and meddling with my work while I'm on the road.
I don't really marinate in anybody's album because I don't really want to sound like anybody else when I put my album out. So I'd rather not even be tempted to listen to a bunch of other stuff with any degree of emersion in it, cause I just don't want to sound like anything else, so I kinda focus on my own music.
What I like about being independent [in the music industry] is that anybody who does play the album on the radio and anybody who does choose to write in the media does so because they want to, because they like it or because they find something interesting there, not because they have to.
I realized I couldn't get bookings as a performing artist on the road, as it were, I could not make a living in music without going on the road, but I couldn't get booked without a new product. People say, "Where's your new album?" Well, I have no new album, and I'm not going to have a new album. They said, "What are you doing?" I'm performing music that I've done my entire life that I've never performed, and I'm promoting material that I haven't promoted.
I never thought I would ever be middle-of-the-road anything, much less a middle-of-the-road Christian, but it actually ended up I'm extremely middle of the road.
To me, the term 'middle-class' connotes a safe, comfortable, middle-of-the road policy. Above all, our language is 'middle-class' in the middle of our road. To drive it to one side or the other or even off the road, is the noblest task of the future.
This career essentially chased me down while I was on the spoken-word scene in New York. I kept hearing that my delivery of my poetry - which was very personal and cathartic at the time- was very moving to folks. People thought that I was an actress because of my delivery, when I was just dropping into the work and really pouring out my soul.
What's your road, man? - holyboy road, madman road, rainbow road, guppy road, any road. It's an anywhere road for anybody anyhow. Where body how?
I grew up on a street called Cedar Wood Road and by coincidence my best friends that are around the age 10 became a guy called Bono and another guy called Guggi. It was music again. The fact that pulled us together. They found me quite interesting because I had the right albums underneath my arm. Those days where you carry the latest David Bowie album or Roxie music album as you go to school. I mean you can't play an album at school but you were being cool just showing, "Look what I got."
I've always loved music. I've worked on music and written music, but, it wasn't until I was actually on the road full time with WWE that I put my first album out.
We had to create an album where there wasn't one. I never listen to that album [ Music From the Edge of Heaven] because it wasn't an album.
I make up cassettes all the time - to take on the road with me - a song from this album, a song from that album. That's the way I listen to music; it's like one of those K Tel things: it's from all over. I listen to Fred Astaire, I listen to African folk music, I listen to Talking Heads.
The best advice I can give anybody is to try to understand who you are and what you want to do, and don't be afraid to go down that road and do whatever it takes and work as hard as you have to work to achieve that.
I kind of want to get the music back on a road it hasn't been on for a while. I want to promote the arts as part of the American diet.
I got my own sound in Atlanta because I don't listen to anybody's music. When you listen to people's music, you start to say stuff they say as an artist because that's what you've been listening to. Me, I don't listen to anybody. I support, but I don't listen, because I don't want to run with someone style. I do my own thing.
If you had a record company believing in you enough to cut an album then you had better have the ability to work the album on the road.
In my case, the listener is often in an automobile driving to work. You can concentrate on the road while still getting an audio message that can be riveting.
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