A Quote by Eddie Rabbitt

For a couple of years, it was one gray-day after another. — © Eddie Rabbitt
For a couple of years, it was one gray-day after another.
I've tried doing so, for it was never my intention to paint only with gray. But in the course of my work I have eliminated one color after another, and what has remained is gray, gray, gray!
[After Easy Rider] I couldn't get another movie, so I lived in Mexico City for a couple of years. I lived in Paris for a couple of years. I didn't take any photographs, and then I went to Japan and saw a Nikon used. I bought it, and I just started, like an alcoholic. I shot 300 rolls of film. That was the beginning of me starting again.
Gray goes with gold. Gray goes with all colors. I've done gray-and-red paintings, and gray and orange go so well together. It takes a long time to make gray because gray has a little bit of color in it.
When you're working on something where there's usually one sex scene in the film, it all gets a little bit of a gray area and people get a bit uncomfortable and awkward. You just get through it. But, it became very clear on this that that can't happen. There can't be any gray areas on this because there are actors and actresses coming in for a day or a couple of days, as well as people who are there regularly.
I would ... go up to the mailbox and sit in the grass, waiting. ... Till it came to me one day there were women doing this with their lives, all over. There were women just waiting and waiting by mailboxes for one letter or another. I imagined me making this journey day after day and year after year, and my hair starting to go gray, and I thought, I was never made to go on like that. ... If there were woman all through life waiting, and women busy and not waiting, I knew which I had to be.
I was a Teletype operator in the army, so that's where I learned to type. One day, I went downstairs to see if I could still type - I hadn't done it for four or five years after the war. So I typed out a page and I showed it to my wife and she said, "Where did you get this?" I said I wrote it. "You wrote this?" It was something very funny. I went and wrote another page, another couple of pages, and by the time I was finished I had 13 little short stories, humorous short stories.
In London the day after Christmas (Boxing Day), it began to snow: my first snow in England. For five years, I had been tactfully asking, 'Do you ever have snow at all?' as I steeled myself to the six months of wet, tepid gray that make up an English winter. 'Ooo, I do remember snow,' was the usual reply, 'when I were a lad.'
FNM didn't really become one of my favorite all-time bands until after I'd had all their records for a couple of years. And realized I was playing them every day.
A couple of years after I arrived in Hollywood, everything that was Latino was fashionable, and years after, my thought is that we're not fashionable anymore. We're here to stay.
They sit there in committees day after day, And they each put in a color and it comes out gray. And we all have heard the saying, which is true as well as witty, That a camel is a horse that was designed by a committee.
Just by coincidence, Senator Teddy Kennedy and I, in the last couple of days, after several months of negotiations, have reached an agreement for an immigration proposal that we will be putting out next week, ... our proposal is along the lines of make them pay a fine of a couple thousand dollars, make them work for three years, and after three years they can get in the back of the line for a green card and then eventually become citizens.
Gray day. Everything is gray. I watch. But nothing moves today.
When I took a couple of years to do the documentaries after I left 'American Morning' - what was I gone for, five years? - I didn't feel that I was floating under the radar.
After I finished college, I got a job on Wall Street as a derivatives trader, but after a couple years of it, I was calling in sick in order to work on my novel.
The day after tomorrow is the first day of the rest of your life - that way you've always got a couple of days in hand.
I grew up in Hong Kong, and London used to seem very gray: the sky was gray, the buildings were gray, the food was incredibly gray - the food had, like, new kinds of grayness specially invented for it.
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