A Quote by Eddie Rabbitt
I try to write something that has a common ground to everyone. But there's been nothing new in music since Bach; he put every note in the world on a piece of paper.
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If they think they are doing something new, they ought to do what I do every day - spend at least two hours every day listening to Johann Sebastian Bach and, man, it's all there. If they want to improvise around a theme,which is the essence of jazz, they should learn from the master. He never wastes a note, and he knows where every note is going and when to bring it back. Some of these cats go way out and forget where they began or what they started to do. Bach will clear it up for them.
When I'm talking to somebody, I'll put a piece of paper on the table and I'll write what I call a conversation summary - notes about the conversation on the piece of paper. At the end of the conversation, I'll take a picture on my phone and give the other person the original piece of paper.
If I'm not in an environment where I can record, it's great to be able to write something down, to be able to know how to do that, to be able to write notation. You grab a piece of paper and there it is. It's the cheapest recording equipment you can buy: a piece of manuscript paper and a pencil!
If you are too overwhelmed, then when you sit down and try to write something, it feels forced. There's nothing worse than forced music. I mean, this world has enough of that right now, where it's basically McDonald's making music. 'Everybody needs another hamburger and fries.' Here's a piece of crap that nobody's gonna care about it two years.
A particular piece of music attaches itself to the piece I'm writing, and there is nothing else I can listen to. Every day I return to the same space to write, the music providing both the walls and the pictures on the walls.
Bach is the supreme genius of music... This man, who knows everything and feels everything, cannot write one note, however unimportant it may appear, which is anything but transcendent. He has reached the heart of every noble thought, and has done it in the most perfect way.
At the end of the day, if the guy is going to write the girl a letter, whether it's chicken scratch or scribble or looks like a doctor's note, if he takes the time to put pen to paper and not type something, there's something so incredibly romantic and beautiful about that.
If I'm reading something and a word pops up, or I just catch it, I try to mark it off and then, later, write it down on a piece of paper and add it to my list.
If all the music written since Bach's time should be lost, it could be reconstructed on the foundation which Bach laid.
Getting to the point where I was ready to write a book has been about a 20-year journey of being, really honestly, too afraid to try - which I think is pretty common for people who are trying to write a large piece of fiction.
I listen to lots of music, especially Bach, opera (all periods), German lieder, chamber music, and rock, old and new. I can't listen to music while I write. It's too absorbing.
After 10 years, I have been touring for 20, playing basically the same type of music, a four-piece or three-piece type of music with loud, crashing drums and screaming vocals. It gets to the point where you're looking for something new, and you don't want to do something that's way too left-field, for fear that it might seem contrived.
I have a huge music library and deliberately choose the piece of music to match the piece I'm writing. So, every book I write has its own "soundtrack."
If you're talking to an architect, he can look at a blank piece of paper, and once the initial design is there, the formula kicks in. Each room should have something unique and different about it - much the same way that in a song, every eight bars or so, a new piece of information should be introduced.
The last thing in the world I want to do is write something in memory of Walter Mischel. I still can't quite accept that he's gone. And so I procrastinate, and with every day I don't put pen to paper, I reinforce his life's work with my reluctance.
I write because writing is something that I have to do. And it doesn't matter whether people like it or not. When I write, I feel the pressure and anxiety that come with taking an empty piece of paper and trying to fill it with something from your own consciousness.
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