A Quote by Eddie Redmayne
The depiction of the exterior as opposed [to] what you're feeling inside is always so different that it's impossible to know what is right.
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What really matters in a pencil is not its wooden exterior, but the graphite inside. So always pay attention to what is happening inside you.
When you start feeling the baby kick, you realize there's a person inside, and that pregnancy is very different from having a person you're responsible for for the rest of your life. I don't know what I'm doing, but then I have to remind myself no parent does, right?
Most great filmmakers are good at place. Like how people say, like, "The city itself is a character in the movie," you know? I'm so interior. I always forget there's such a thing as an exterior wide shot, where you can see where someone is. As opposed to just: how can we show what this person is thinking, in an abstract way that is felt?
I think a lot of the writing, you know, I write is just kind of like that where, you know. I write exactly how I'm feeling sometimes, and hardships that I'm going through. But I always end up, like the choruses are like, "God, You are good. God, you're faithful. You know, I know You understand, You're right here by my side." All these different things. And I just say very personal experiences that I've been through. I mean, it's not always detrimental thing.
people themselves are full of tunnels: winding, dark spaces and caverns; impossible to know all the places inside of them. Impossible even to imagine.
The point of the first one was that it was about guys being lured by sex and the stereotypes... I always say it's like a horror version of Borat. Borat's not an accurate depiction of Khazakstan, it's an accurate depiction of America. That's what Hostel is.
We all have to find beauty within us, as opposed to just our exterior.
There's no doubt in my mind, though, that the Iraqi people would be better off with a different leader who did not waste their oil on weapons, as opposed to education, as opposed to healthcare, as opposed to food, as opposed to roads, as opposed to clean water. It is really sinful, a crime, what Saddam Hussein has done with the wealth of the Iraqi people over the last 30 years.
Save the Children is often told that its aims are impossible - that there has always been child suffering and there always will be. We know. It's impossible only if we make it so. It's impossible only if we refuse to attempt it.
My literary criticism has become less specifically academic. I was really writing literary history in The New Poetic, but my general practice of writing literary criticism is pretty much what it always has been. And there has always been a strong connection between being a writer - I feel as though I know what it feels like inside and I can say I've experienced similar problems and solutions from the inside. And I think that's a great advantage as a critic, because you know what the writer is feeling.
The landscape is a reflection of the inner life. Since I can't shoot the inner life, all I can shoot is the exterior but I know that when I'm filming outside, I'm filming inside. I can only really touch the inside through the mise-en-scene. So through the mise-en-scene of the outside we can explore the inside
Sacred texts give no specific depiction of God, so for centuries, artists and filmmakers have had to choose their own visual depiction.
The exhilaration was hard to explain. It was a lonely feeling — a somehow melancholy feeling. He was outside; he passed on the wings of the wind, and none of the people beyond the brightly lighted squares of their windows saw him. They were inside, inside where there was light and warmth. They didn't know he had passed them; only he knew. It was a secret thing.
I have ever been opposed to banks, - opposed to internal improvements by the general government, - opposed to distribution of public lands among the states, - opposed to taking the power from the hands of the people, - opposed to special monopolies, - opposed to a protective tariff, - opposed to a latitudinal construction of the constitution, - opposed to slavery agitation and disunion. This is my democracy. Point to a single act of my public career not in keeping with these principles.
"Strong" to people means "real." It means you believe that's a person who exists, as opposed to some two-dimensional depiction of women.
There is something about growing up in the Midwest that gives a different kind of sensibility. But if I'm feeling insecure, the smiles and politeness get upped a notch, and maybe that isn't totally reflective of how I'm feeling on the inside.
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