A Quote by Eddie Redmayne

I draw and play the piano badly. But when I'm doing those things, I'm concentrating so hard there's no room for worry. I find that onstage, too. — © Eddie Redmayne
I draw and play the piano badly. But when I'm doing those things, I'm concentrating so hard there's no room for worry. I find that onstage, too.
I draw and play the piano badly. But when I’m doing those things, I’m concentrating so hard there’s no room for worry. I find that onstage, too.
I'm a terrible Christian and meditating is very hard for me, and I do it. I do it badly, like I do a lot of things. I believe in doing things badly.
I never aspired to be in a band, but being onstage is a very cool feeling. It's like you're the lord of the room. It's hard to croon and run around doing big scissor kicks while also trying to play, though. I'm still mastering that.
If you close your eyes you can imagine the hackers sitting in a room, combing through the documents to find the ones that will draw the most blood. And in a room next door are American journalists doing the same thing. As demented and criminal as it is, at least the hackers are doing it for a cause. The press is doing it for a nickel.
You will find that the State is the kind of organization which, though it does big things badly, does small things badly, too.
You will find that [the] State [Department] is the kind of organisation which, though it does big things badly, does small things badly too.
I remember being a little kid sitting in the living room with my brother and some friends from around the neighborhood, and I would sit at the piano and as they were running around the room doing different things and being silly, acting out, I would actually play the score for it - the music that went along with it.
Since I was three I've been playing the piano. I've been onstage. My mother is an Evangelist and I used to play the piano at her revival meetings.
[With theater] you draw the audience into the room as best you can, and in film, you can draw them into the room, you can draw them outside into the desert, you can take them out into the ocean, you can do all these amazing things.
People think I look odd onstage. But the way I deal with being incredibly nervous is by concentrating really hard.
When I was a little girl my parents always told me do everything you want in an artistic way. If you want to draw, make a drawing. Just do it. And if you want to play piano, play piano. It was a very free childhood where everything was possible.
My mother adores singing and plays piano. My uncle was a phenomenal pianist. My brother John is a double bassist. I used to play the piano, badly, and cello. My brother Peter played violin.
The two biggest things to understand when you're tracking the ball as a defensive back is your position on the field and understanding that once the ball is in the air you become the receiver. Too many young defensive backs worry about the receiver catching it or what the receiver is doing instead of focusing on what they should be doing. Just go out and make the play yourself, don't worry about him. Know where the ball is and attack it. Put yourself in position to bat it or catch it and make the play.
It's easy to be silly in real life, but making stuff up onstage, that seemed hard. Better to be the funny person off-the-cuff in the room than to risk being unfunny onstage.
I started piano like my sisters. After one year or two, I didn't like it anymore. Then, because I like trumpet, I played the cornet. When you are 7, you can't play trumpet - you play cornet. And something didn't go well. The teacher was too hard. Too rough. Suddenly, there was this instrument, the flute, that I could immediately play.
I play piano and ukulele, and I taught myself those things just because I wanted to play them.
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