A Quote by Eddie Redmayne

For a year after I left Cambridge, I had an agent, and I was working in a pub and doing waitering. But I could stay at home rent-free. — © Eddie Redmayne
For a year after I left Cambridge, I had an agent, and I was working in a pub and doing waitering. But I could stay at home rent-free.
Life at home wasn't very good and I had really left by the time I was 16 and didn't go back until after Cambridge when I went to look after my mother when she was dying.
After doing kid's television on CBBC and messing around with eight and nine year olds, there was a period of three years in the middle of that when I wasn't doing anything. I was working as a receptionist and in a pub; I was a cleaner and all sorts of things. All life has its ups and downs.
My total year's income from working as hard as I possibly could from writing went from like $30 one year to about $70 the next year. And it made me realize that maybe you couldn't really pay the rent that way.
I found myself at Cambridge, loved my course, and met these amazing people who got me heavily involved. I presumed I would have to go to drama school, but I did a play with my uni friends, who were doing lots of pub theatre in London, and through that met my agent. She said 'Don't go to drama school. I'll get you a job' and two weeks later she did.
I left home the day after I graduated from high school because I knew we weren't going to make any dough to pay the rent in music.
I first learned about kicking under pressure in 1996, my rookie year with the Patriots. I was signed as a free agent by a team that already had Matt Bahr, one of the best kickers around. To win the job, I had to show coach Bill Parcells that I could make kicks when they counted. That process started in training camp.
The challenging thing is that we go home after doing the run-through and the writers stay there working, so sometimes I get script changes delivered to me at midnight. It's constantly shifting.
At work, you think of the children you have left at home. At home, you think of the work you've left unfinished. Such a struggle is unleashed within yourself. Your heart is rent.
I had been playing for about a year and a half when the Beach Boys formed. When our folks went to Mexico on business, we would take the food money they had left us and we would rent instruments.
I ordinarily do one film a year and the rest of the time I'm at home with the kids. Even when I am working I'm still basically at home and with the kids. I've never left them to go to work.
We had bills to pay. My dad wasn't working, and it was tough for my mom. People were always raising the rent, so I had to work, too. Everybody in the house worked to pay the rent.
I was making $150 a week in workshop. It was a rough year. I had trouble paying the rent. But I had evenings free to spend with my wife, Olive, and our baby daughter. In terms of family-building, it was one of the most blessed years of my life.
The very first role I ever played was as a 17-year old South African girl who dreamed of being a star and left home to meet her mother in the big city so that she could pursue that dream. I left South Africa and met my mother in Vancouver and not long after that was given the opportunity to perform on the stage and have people chant my name.
Once in a Cabinet we had to deal with the fact that there had been an outbreak of assaults on women at night. One minister suggested a curfew; women should stay home after dark. I said, 'But it's the men who are attacking the women. If there's to be a curfew, let the men stay home, not the women.
If you rent, the rent goes up every year. But if you buy a 30-year mortgage, the cost is fixed.
The idea of going into the property business and collecting rent four times a year and waiting for five-year rent reviews has limited appeal.
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