A Quote by Eddie Redmayne
That's a lovely starting point for me as an actor: the question of what will we - or can we - do with this lot of years with which we're blessed? More than my other films, 'The Danish Girl' is about the gigantic risks involved in being true to one's self.
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As much as I like being part of commercial films that give me visibility with a wide audience, and love being the glamourous girl, at the end of the day, I am an actor, and nothing can be more satisfying than being appreciated for my craft.
The other, the other aspect when I say I'm an actor is that as an actor you make this imaginative leap into being somebody else, that's to say the muscle of the imagination is as important as any other of the muscles in your body, and so it is something about this instinct in space and time which for me I associate with being an actor rather than a director.
It's fair to say that there's something retrograde about putting the leader of Star Wars rebellion in the position of "slave in a bikini." There's no question that that's a fair point. But, it is true, and it's kind of remarkable, that at this point in our history, the slave girl, for a time in the bikini, is the one who chokes her captor with her bare hands and using the chain with which he bound her. That's powerful stuff. That's more retributive feminism than I think teenaged boys had ever seen.
Sex is more openly spoken about than 40, 50 years ago, and I think probably in comparison to a lot of bands - certainly other contemporary pop girl bands - we're certainly not as suggestive. We talk about sex in the way that we would to our friends. As a girl group, I think it was important not to avoid those sort of things either, because it's about confronting people's idea of what women should be talking about and how they should talk about it. There's no point in shying away from subjects like that, because they exist.
The trouble is that the risks that are being hedged very well by new financial securities are financial risks. And it appears to me that the real things you want to hedge are real risks, for example, risks in innovation. The fact is that you'd like companies to be able to take bigger chances. Presumably one obstacle to successful R&D, particularly when the costs are large, are the risks involved.
As an actor, there is so much more than just acting in the film. A lot of other things like networking and marketing is involved.
Know also that you will probably gain more by praying fifteen minutes before the Blessed Sacrament than by all the other spiritual exercises of the day. True, Our Lord hears our prayers anywhere, for He has made the promise, 'Ask, and you shall receive,' but He has revealed to His servants that those who visit Him in the Blessed Sacrament will obtain a more abundant measure of grace.
Liberalism, on the other hand, regards life as an adventure in which we must take risks in new situations, in which there is no guarantee that the new will always be the good or the true, in which progress is a precarious achievement rather than inevitability.
Being singer is different than being an actor, where you call up sources from your own experience that you can apply to whatever Shakespeare drama you're in. But an actor is pretending to be somebody, a singer isn't. And that's the difference. Singers today have to sing songs where there's very little emotion involved. That and the fact that they have to sing hit records from years gone by doesn't leave a lot of room for any kind of intelligent creativity.
I always thought on my own that what is a huge part of being an actor, or what made me a better actor, was just really living life. Not being closed in on life, but being more open to experiences and to people and taking risks and exposing yourself to things.
What bothered me was playing one-dimensional parts in films which were really about, 'Boy Meets Girl,' 'Will Boy Get Girl?'
I learn a lot as a director from acting in other people's films and just in general. I want to try and be as involved in the art of filmmaking as possible. I feel that the only way to really do that is to take on as many roles as possible, whether it be as an actor, an editor, a director, a cinematographer. Basically, I like to help and be involved, so anything anybody asks me to do, my first reaction is to say "Yes."
I just feel my body clock is different when it comes to making films than other directors. Being on set, and sweating, that feeling eases me more than actually when the movie's over; being on set, moving around, to me feels more relaxing than being done with the movie.
I'd like to have younger people around me and that I'll be involved with them a lot more now, as opposed to me being the main focal point.
And so I look back on not just the last ten years but everything that I've done as being sort of an ongoing growing continual film school. I mean I don't think I've got to a point where I've achieved anything that feels like, a particular milestone, but there's still a lot more to learn and hopefully a lot more films to make.
It's very easy to get caught up in - there's a hype going on now that I haven't seen in years, and it's actually more about press than it is about an actor's work or what films they've been in.
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