A Quote by Eddie Van Halen
There are really three parts to the creative process. First there is inspiration, then there is the execution, and finally there is the release.
Related Quotes
My stories take three or four months to fix, and it's not magical of a process. Ultimately it's a boring, difficult process. I write everything out, and then the parts I think are funny I put in bold. Then I go perform it. Then the parts that aren't funny, I unbold them.
Separate out the creative act from the act of editing and execution. Make it a two-step process. First, let ideas flow and encourage EVERY idea to make it to the whiteboard. Don't criticize, judge, edit, budget, or worry. An idea on the wall can't hurt anyone, so let them rip without restriction. After any and all ideas have the opportunity to "come out to play", only then should you apply your analytical and logical side to the effort. Don't mix the creative process with the editing process or you'll kill your ideas before they even get a fighting chance.
I'm a writer, so I interview people all the time, and I think of it as being a very creative process. Giving interviews is actually one of the most creative parts of the film promotion process.
Having ideas is not the same thing as being creative. Creation is execution, not inspiration.
When I talk with my students, I introduce a process of work I call the three R's: First comes research, then real world exploration, and finally, and perhaps most important, a fact-checking review of all that has been written.
I've now returned to the business again because I finally realised that I really enjoy the creative process.
The creative process is just a process and you can't really separate it from life. Growing your hair is a creative process. Your body is creating hair. Being alive is a creative process. Whether it's growing something in the garden or growing a song, the material accumulates. It's the process of being alive; it's the passage of time. Things change.
I had a really regular progression--and this is really pleasant, I think--because I had small parts in TV movies, then bigger parts in TV movies, and then small parts in films. And I think this allows you to get...experience of the set and to get familiar with [the process]. And as I had a really slow progression, I think it really helped me to stay lucid and not get carried away.
Aristocracy has three successive ages. First superiority s, then privileges and finally vanities. Having passed from the first, it degenerates in the second and dies in the third.
The music comes first, like, 99 percent of the time. I come up with the basic chord structure and the melody first and then I get really obsessed with arranging, adding, and subtracting parts. The last step of the process, for me, is finding words that fit into that structure and figuring out exactly what I want to talk about.
A photographer's art is more in his perceptions than his execution. In a painter, I think the perception is only the first step, and then you have a kind of hard road of execution.
I mean, they clearly have a process of how they go about making their movies, and John Lasseter has been instrumental in implementing that process for all three studios with the Brain Trust and the way we work and the way we break stories and how it's all creative led. There are no executives in the room. So I think all of that is embraced unilaterally. But that's the first time I've heard of that.
In the first week of the showings of the The Matrix Revolutions, The Godfather and The Godfather Part II played on cable television. I started watching, and I was held; I wanted to go through the process again. Can anyone credit that 30 years from now there will be an audience for the three parts of The Matrix, anywhere? Even if Keanu Reeves is our president by then?
The maturing process of becoming a writer is akin to that of a harlot. First you do it for love, then for a few friends, and finally only for money.
My creative process involves that old saying: It's 90% perspiration and only 10% inspiration.
To me, fair friend, you never can be old,
For as you were when first your eye I eyed,
Such seems your beauty still. Three winters cold
Have from the forests shook three summers' pride,
Three beauteous springs to yellow autumn turn'd
In process of the seasons have I seen,
Three April perfumes in three hot Junes burn'd,
Since first I saw you fresh, which yet are green.
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