A Quote by Eddie Van Halen

On 'Van Halen,' I was a young punk, and everything revolved around the fastest kid in town, gunslinger attitude. But I'd say that at the time of 'Fair Warning,' I started concentrating more on songwriting. But I guess in most people's minds I'm just a gunslinger.
I know there are certain times you have to be smart with the football but I'm a gunslinger, I've always been a gunslinger and that's just what I'm gonna do.
I suppose that, for me at least, the biggest difference betweenThe Gunslinger Born and the next two story arcs (The Long Road Home and Treachery), is that while Gunslinger Bornwas a translation of an existing novel, the next two arcs are really the stories that I've been weaving since I first started working with Steve King on the Dark Tower back in 2000/2001.
Punk was key to the early part of me playing guitar. I was really into melodic punk-rock. I related to punk more than Lynyrd Skynyrd or Yes or Van Halen.
I do remember being a kid and hearing Van Halen. My dad was always playing Van Halen in the car.
When I was a kid, I was obsessed with heavy metal, Van Halen, Motley Crue. The older I got, my tastes widened. I always felt an attraction to the attitudes of punk; also punk filmmakers, like Richard Kern.
Greg Ginn was certainly a huge influence on my guitar playing. I put him up there with people like Eddie Van Halen. Eddie Van Halen changed everything; I don't necessarily like everything he did, but he definitely changed everything.
My heroes were Eddie Van Halen - especially after Van Halen I, II, III, and IV - Randy Rhoads, Ace Frehley and dudes like that. My brother played drums and we jammed in the garage and started writing our own stuff.
Yet suppose further. Suppose that all worlds, all universes, met at a single nexus, a single pylon, a Tower. And within it, a stairway, perhaps rising to the Godhead itself. Would you dare climb to the top, gunslinger? Could it be that somewhere above all of endless reality, there exists a room?...' You dare not.' And in the gunslinger's mind, those words echoed: You dare not.
At some point I decided I didn't want to learn any more guitar technique. I was at that level where the next mountain there was to climb was Van Halen and I didn't really like Van Halen.
The marriage between the fantasy and the Westerns is that thing of, if people think you're the best gunslinger around, they're going to come looking for you.
When I was young I wanted to make films and then I got into folk music when I was about 12, and started going to this folk club in Auckland. My dad [Barry Andrews] was in punk and post-punk bands, so I guess it was a side of music I hadn't really listened to before - the really narrative form of songwriting.
When I first started, I wasn't really into movies that much unless it was an action-packed gunslinger with naked women here and there.
Classic Van Halen made people want to dance and f**k. Modern Van Halen makes you want to drink milk and drive foreign cars.
I believe that the art market is in a place similar to the music industry in 2005. Big changes are coming and the art market will most likely be very different in ten years. However, if you are the art equivalent of Van Halen, you don't really have to change anything. But if you are not Van Halen, then it is time to figure how to adapt to all the changes.
Van Halen was a huge influence on me, and 'Eruption' was the song that really leaped off that first Van Halen album.
I was listening to punk rock in the '70s as a young kid, but all by myself; I never met anyone that listened to that kind of music. Just by chance, I was in detention, and one of the guys in the class was Van Conner... I started talking to him and found out that we listened to some of the same music.
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