A Quote by Eddie Vedder
Things like guitars and ukuleles, you should never part with it, because there will probably be good, healthy times spent, just playing and writing.
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I watched a lot of YouTube videos of cute geeky girls playing '80s cover tunes on ukuleles. Technically, this wasn't part of my research, but I had a serious cute-geeky-girls-playing-ukuleles fetish that I can neither explain nor defend.
It's a part of my lifestyle to be healthy and eat healthy. I don't feel like I need to be like, 'You can't have this. You can't have that. You have to have this. You have to have that,' because then I feel like I will get inconsistent. I indulge when I want to, but try to be healthy every single day, too.
I'm just a music fan. I like pretty much all types of music, and I feel like I can get something out of everything. It just makes work a lot more fun whenever you're working on different things all the times and usually once I work with a band I usually will want to work with them again, just because we become good friends. That sometimes is the only bad thing, is that I work with bands that I already know. That's not really the best thing in the world because I should always be keeping my eyes out on other things.
I started playing the guitar when I was 14. I'm not superstitious about guitars, but I do need strings to be old because that's part of my sound, and I don't like steel strings.
we should write because writing brings clarity and passion to the act of living. writing is sensual, experiential, grounding. we should write because writing is good for the soul. we should write because writing yields us a body of work, a felt path through the world we live in.
I just feel like when a good project comes along, I'm not going to discriminate against it because it's television or because it's a film. I never want to say no to something just because of the area that it's in. If it's a good story or I think it's going to be exciting to play or exciting to be a part of, then I'm going to be a part of it.
When I'm writing, I'm thinking, "Well, this might be a book that I'll always be happy with, and certainly readers will be happy with." But another part of me knows that when I'm past the stage of writing, the book is gonna have good things about it, bad things about it - probably more bad than good. I just know that. That's who I am.
I imagine you will always be pinched for money, for time, for a place to work. But I think you will do it. And believe me, it is not a new problem. You are in good company...Your touch is the uncommon touch; you will speak only to the thoughtful reader. And more times than once you will ask yourself whether such readers really exist at all and why you should go on projecting your words into silence like an old crazy actor playing the part of himself to an empty theater.
Playing for Chelsea doesn't compare to the pressure of playing for Brazil because we've won the World Cup five times. It's not only a massive country but football is part of the culture. They always want you to win, so you can never have an off-day.
To me, the producer is there to make sure the album gets done and gets done as good as possible. So if that means that you have to help write a bridge or help write a part, that's what you do. If that means you help tune the guitars, then that's what you do. If that means all you do is tell the band their takes are good and they should stop f——— with things, then that's what you do. If it means you don't do anything except make sure the band doesn't fight, then that's what you do. Sometimes it's a little more stressful than others, but for the most part, you just don't complain about it and you just get it done.
The key to survival is that when times are good you don't forget where you came from and you don't build crazy overhead just because you can. You live like you are going out of business every day and it makes you healthy.
One really important thing is to have good friends and family that will be there to help you when the hard times come. Because bad times do come, for everyone, at some point. The good part is, the bad times don't last forever.
My ability maps my own writing. I haven't spent a whole lot of time biting licks from the really quick masters. That's why I'm not very good at that sort of super-fast, shreddy sweeping. So I've never considered myself a traditionally good, fast-playing guitarist.
Tennis analyst is the easiest job in the world because whatever the person does, if it works you just say that's what's good, and if it doesn't work, you guys go, 'He should have done the other things.'.It just doesn't take much thought. If I'm grinding and I'm winning, you guys are like, 'He's reinvented himself.' If I'm playing like crap and pushing, then, you know, 'He's horrible and he needs to hit the ball.'
I don't really mind not being a part of a film - because if there is no part for me, I will never force myself upon a film. I feel like it's just a distraction. If it is not organically incorporated into the story, it just feels like a stupid appearance, like a sort of wink. I hate that.
People say if you keep making work and keep putting it out, better things will come. I think artists should never forget that. I think that's what you have to be committed to if you're an artist, that's where the good feelings come from. It's so easy to get caught up in other stuff, like the business part of it. If you just have to be aware, just keep putting it out there.
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