A Quote by Eddie Vedder
I was living on the wrong side of the tracks in Evanston, Illinois, in a home for boys. We had these Jackson 5 records. I really related to their voices - they were about my age, but they were doing it.
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When I first starting making beats, I didn't know samples were being used in any beats. I had no idea where producers were getting the real string sounds or the voices on their tracks. I knew nothing about loops or sampling off of records. So, by me knowing nothing about this it made me concentrate on my chords on the keyboard.
Illinois had the first aquarium built in Chicago. The very first skyscraper in the entire world was built in Chicago in 1885. The tallest building in North America, formerly the Sears Tower, now Willis Tower, is in Chicago. Evanston, home to Northwestern, is also home to the ice cream sundae. Illinois has a lot to be proud of.
We'd take records you'd never hear in clubs and make them into club tracks. We were doing B-sides on records that had nothing to do with the songs, and calling them Masters at Work dubs.
We were kinda rebels. From the wrong side of the tracks. Down where we were raised, it was a tough town.
Shakespeare had found language for the agony of living with one's own mistakes. There were words for finding yourself isolated with your failures. Phrases for discovering that you were wrong, all, all wrong, wrong, wrong.
Middle-class girls are often attracted to boys from the wrong side of the tracks.
These boys, now, were living as we'd been living then, they were growing up with a rush and their heads bumped abruptly against the low ceiling of their actual possibilities. They were filled with rage. All they really knew were two darknesses, the darkness of their lives, which were now closing in on them, and the darkness of the movies, which had blinded them to that other darkness, and in which they now, vindictively, dreamed, at once more together than they were at any other time, and more alone.
I felt like one of the boys. My friends were boys. In school I related to boys.
This was middle school, the age of miracles, the time when kids shot up three inches over the summer, when breasts bloomed from nothing, when voices dipped and dove. Our first flaws were emerging, but they were being corrected. Blurry vision could be fixed invisibly with the magic of the contact lens. Crooked teeth were pulled straight with braces. Spotty skin could be chemically cleared. Some girls were turning beautiful. A few boys were growing tall.
I've always thought that "punk" wasn't really a genre. My band started in Olympia where K Records was and K Records put out music that didn't sound super loud and aggressive. And yet they were punk because they were creating culture in their own community instead of taking their cue from MTV about what was real music and what was cool. It wasn't about a certain fashion. It was about your ideology, it was about creating a community and doing it on your own and not having to rely on, kinda, "The Man" to brand you and say that you were okay.
... so much of what we do now started in 1954 at Sun Records in Memphis Tennessee ... those guys were inventing that stuff (Rock & Roll) ... you can really tell on some tracks ... they were actually afraid at times of what they were playing. But Rock & Roll definitely didn't come before that time; it started right there
I'm from a working-class family. We didn't have a lot, but we had the arts. You're talking to a guy who is making a living at doing what he loves doing - acting, singing and dancing. So any career ups and downs were not that significant to me; the only things that really powerfully impinged on me were my losses, and there were many in my life.
We moved into the back, made it into a little 50s sitting room and started to sell the records. We had an immediate success. For one thing, these Teddy Boys were thrilled to buy the records.
When I made '1983,' there were a bunch of tracks that were in the early drafts that didn't make it because they just sounded like tracks for rappers, and that's not really the sound I look for when I produce my own albums.
I grew up in Illinois. If you were in Chicago, you were a Democrat. You get out to the suburbs and central Illinois, you're a Republican.
It's always a really great feeling when I talk to people who watched 'Jett Jackson' because we were the same age. We were all kids. I was 13 when I started working on that show, and that was part of my childhood.
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