A Quote by Eddie Vedder
After the Ramones, it was more about new wave for me than punk.
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I guess, for me, what started me getting real excited about music was the New York punk and new-wave scene. All those bands looked back to the Velvet Underground and the Stooges and the Modern Lovers as well. But that was back when Television were punk, and the Talking Heads were punk.
I was pretty much into punk rock and that's all I cared about. I was into Green Day and the Ramones. I wanted to get a guitar so I could play punk songs because this kid taught me power chords at summer camp.
I was part of punk's second generation, so, not the first wave of '70s punk, but the American hardcore scene. I had a really strong love for music prior to that, but punk created a new template.
Lou's such an old punk he was around when the Ramones were junkie hustlers first and musicians second, when punk meant something other than a mass-marketing concept designed to help the bridge-and-tunnel crowd feel cool.
People would be surprised at how much of an electronic dude I am, and I like new wave, post-punk and proto-punk stuff.
The main issue was deciding what to play: Should it be old Ramones material or new material? I had about three albums worth of new material, but I knew that people would rather hear the Ramones songs.
I'm more interested in the meanings and the bands that fill up the spaces known as new wave and post punk.
Playing in London in 1979 was exciting: it was at the start of new wave, the transition period after punk, and there were a lot of radical, fashionable young people on the streets and in the venues.
I don't think that the punk sound really became the punk sound until much later. The punk era wasn't really just one musical sound. There are a lot of differences among Television, the Ramones, and the Talking Heads.
Punk was key to the early part of me playing guitar. I was really into melodic punk-rock. I related to punk more than Lynyrd Skynyrd or Yes or Van Halen.
Where I grew up, I could be a punk rocker and a jock. But in college, it became apparent that those two worlds didn't mix. When I brought my guitar back to school after Thanksgiving break, a friend handed me his bass and said, 'Listen to the Ramones.'
People can talk about punk all they want, but after new wave put that down, metal is the voice of the disenfranchised and that need to become unhinged. That's why it appeals to so many people when they are younger and carries over when those people, at 40, don't want to grow up.
Absolute 80's is three hours of mainstream 80's music. I also do New Wave Nation that is more cutting edge. It is more punk stuff from the 70's to the 90's.
Anything that's new wave is new. As far as punk rock goes, I've never really been exposed to any.
I'm trying to tell you that there's a new wave on the continent. A new wave of openness and democratization in which, since 2000, more than two-thirds of African countries have had multi-party democratic elections. Not all of them have been perfect, or will be, but the trend is very clear.
To begin with, the key principle of American indie rock wasn't a circumscribed musical style; it was the punk ethos of DIY, or do-it-yourself. The equation was simple: If punk was rebellious and DIY was rebellious, then doing it yourself was punk. 'Punk was about more than just starting a band,' former Minutemen bassist Mike Watt once said, 'it was about starting a label, it was about touring, it was about taking control. It was like songwriting; you just do it. You want a record, you pay the pressing plant. That's what it was all about.'
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