A Quote by Eddie Vedder
I don't know how people do it these days - paparazzi and that kind of thing. That's something I can't even imagine.
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I think what's interesting about the whole paparazzi thing is that unless you're Brad Pitt or Madonna, you can pretty much avoid it. You know when you're going to an opening that you will be photographed, so that's fine. And you know the restaurants that have paparazzi, so you don't go to them.
You can only really understand good if you have bad, so the idea of heaven or anything that happens for eternity, even if it's nice, I can't imagine it being nice forever. Even the idea of forever is kind of ridiculous, which is unfortunate because it's kind of a nice thing to say, you know.
That enforced time when you have to switch off, that you're on a plane, is so unusual these days. It's just that thing of not being able to interact with other people through e-mails or social media or whatever. It's crazy how you even notice that you're not able to do that. I find that the kind of traveling - long days, particularly if you go somewhere to do a show, and then traveling again the next day - a lot of people would find pretty challenging, but I find it energizing in a weird way.
Even when I was young I wanted to be an actress. I knew the actors and the paparazzi. It was just kind of always in my landscape. It was never directed at me, but it was always somewhere so I could see how it operated and I could see it from afar and go 'Wow, that's not really glamorous, it's kind of exhausting not having any privacy.' So it was never something I pursued. The first time I saw the billboard for Pretty Little Liars I almost got into a car accident!
I've never done a kissing scene with someone even when you're friends. I mean that sort of even makes it weirder. If you don't know them or like them at all, you can kind of put some weird like ... I don't know. It's the strangest thing. Look at the person next to you and imagine making out with them now, while I film it.
The great thing about chefs as celebrities is it gives you a larger stage to let people know how important great food is. You're able to reach a nation. The hardest thing about being a celebrity chef is you go from working 18-hour days in your kitchen to it pulling you out of your kitchen here and there. I used to be in my kitchen six or seven days a week, and for ten years I never even took a vacation.
Auditioning is a horrible experience because you know you are being absolutely scrutinized and judged. There are days where you can do it and days where it's just not happening, and I feel like that's how it is with all artists; you have some days it kind of works.
Any script, even like The Founder, if it's something that I imagine myself playing this character or that character - any of the characters, basically - how do we flesh these characters out to be good enough to have amazing actors that come in that make it really difficult for them to say no? Even though I'm not right for any of those parts, that's just kind of how we go about it.
There are a lot days where I don't know if God exists. There are a lot of days where I think the leadership of the Church is wacky, a lot of days where I really doubt why I am a part of this thing. But, down deep, I know it to be true. Down deep, I know how much I love it and that's what sort of gets me through. The churches are the pope, and its priests and its mystery and everything. I just sort of like the whole thing.
From as early as I can remember, I wanted to have something to do with the acting business. I was a TV junkie as a kid and I think, because I grew up in a small town where I couldn't imagine myself staying there and couldn't see myself being any of the people that I was surrounded by in this town, I just knew that I wanted a different kind of a life, but I didn't know what that meant and I didn't know how.
The money for my movies mostly come from talented and generous friends willing to work for almost nothing. As a producer, my job is to get as many people to give me things for free as I could. And most people are kind, and they know how hard this kind of thing is, so they are willing to help how they can, and reduce their fees how they can.
I'm always gratified when I check something I've made up and discover that I've gotten it right. How can we imagine something that turns out to be true? How can we know things we couldn't possibly know? It makes me wonder about the existence of a collective unconscious.
The thing I have learned, especially in the Internet age, probably the easiest thing in the world is to declare that something is not funny. I mean it's not actually humor to say something is not funny, but it is viewed by a lot of people - and by that I mean mainly snarky young Internet men - as a kind of humor in and of itself is putting down other people's efforts at humor. And I don't care that much anymore about that because I know how easy that is to do.
So how do people listen to music? How do the broad masses listen to it? Apparently they have to be able to cling to pictures and 'moods' of some kind. If they can't imagine a green field, a blue sky or something of the sort, then they are out of their depth.
The thing I find really scary about ghosts and demons is that you don't really know what they are or where they are. They're not very well understood. You don't know what they want from you. So it's the kind of thing you don't even know how to defend yourself against. Anything that's unknown and mysterious is very scary.
Initially I probably didn't even call it acting, but dressing up or something. As a kid I think you fully imagine the world in which you want to inhabit, so you put some clothes on and just kind of freely imagine this world, and it's a total imaginary world.
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