A Quote by Eddy Alvarez

I kept going. The decisions I've had to make, the setbacks, the feeling of having my back against the wall, I was determined that I had the grit. — © Eddy Alvarez
I kept going. The decisions I've had to make, the setbacks, the feeling of having my back against the wall, I was determined that I had the grit.
I certainly had no feeling for harmony, and Schoenberg thought that that would make it impossible for me to write music. He said, 'You'll come to a wall you won't be able to get through.' So I said, 'I'll beat my head against that wall.'
After I had been studying with him for two years, Schoenberg said, ‘In order to write music, you must have a feeling for harmony.’ I explained to him that I had no feeling for harmony. He then said that I would always encounter an obstacle, that it would be as though I came to a wall through which I could not pass. I said, ‘In that case I will devote my life to beating my head against that wall.’
Winning the Olympics was an amazing feeling, but afterwards, it was a bit like, 'What do I do now?' So I lost a bit of motivation going back into training and competitions; I had so much pressure on me. I kept thinking, 'I'm the Olympic champion. I can't lose' - being only 19 and having to deal with all that pressure.
I never have [suffered writer’s block], although I’ve had books that didn’t work out. I had to stop writing them. I just abandoned them. It was depressing, but it wasn’t the end of the world. When it really isn’t working, and you’ve been bashing yourself against the wall, it’s kind of a relief. I mean, sometimes you bash yourself against the wall and you get through it. But sometimes the wall is just a wall. There’s nothing to be done but go somewhere else.
When people make the educated argument that things should go back, it's more like going back to a feeling they had when they heard some of the music that came out. Not going back to that music being rehashed. That's stupid.
I wasn't attractive, I wasn't very verbal, I wasn't very smart in school. I wasn't anything that showed the world I was something special, but I had this tremendous hope all the time. I had this tremendous spirit that kept me going... I was a happy child, because I had this feeling that I was going to go beyond my body physical... I just knew it.
For a moment there I convinced myself I had my back against a wall, and suddenly the only wall I find my back against is that of a 10 by 10 writing shack in Glendale, where the summer days average between 90 and 100 and each song can be quantified in the sweat it took to write it. There is no ac in hell, and sometimes you've got to get down to get up. The train is gaining speed I should think.
In the ring, you want every one of the 80,000 people in the building to know what you're feeling. On a movie set, every expression you make is going to get picked up times 10. They kept having to dial me back.
This campaign was special because we always kept the challenger mentality we had from the start. We managed to keep the against-all-odds, can-do spirit that kept us going when no one thought we could win.
... every writer I had ever known wrote his best work when he had his back up against the wall and thought he would never write another word.
A grindstone that had not grit in it, how long would it take to sharpen an ax? And affairs that had not grit in them, how long would they take to make a man?
Was I a businessman to start with? I'm not sure. I mean, that comes slowly, when you start having the products out. But at the same time, I was very determined. I knew that I had to make it work. I had no choice.
I had a pretty good career at home. What keeps you going is not having a plan B. It's a very good thing. I think if I had a viable plan B, I might not have kept going.
In 1999, I had my back against the wall, and WWE had a ghostwriter working on an autobiography for me. He was halfway through, and it was awful, just boring. I took over as a way of trying to fix things, as I thought I could probably do a better job.
I had a guitar leaning against the wall and I'd squint at it. It was almost like a dog that had been kicked - I didn't think I had anything to offer it.
I was always making decisions and they were easier decisions because I had control of the game, I had control of the ball. As a coach you sort of put the ball in other player's hands and let them make decisions for you. But I still get a kick out of winning basketball games and that's what I'm in this for.
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