A Quote by Eden Robinson
I've had people who see all my characters as Native, even if they aren't. It's kind of like assuming all a writer's characters are really female because the writer is a woman. I've learned to let that go.
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When I read 'Greenberg,' I had a really strong sense if I could be any kind of writer I wanted to be, I'd be this kind of writer. And I felt like, even in my experiences, what writing I had done, even on a small scale, when it was good, it shared some quality with it.
People, you know, had trouble with the character. Mindy is not immediately likeable. She does and says a lot of things that you don't see in, forget female characters, any characters. Like, she says things like, "I'm going to hell because I don't really care about the environment and I love to gossip."
No writer besides Shakespeare has created more memorable characters attached to vices and virtues. In even their least sympathetic characters, one senses a kind of helplessness to passion quivering between the poles of good and evil.
Just like how male actors get to play varied characters, I would also like to play characters that people don't normally see female characters portraying on screen.
Even while I'm really interested in playing female characters that are varied and interesting and dynamic, I'm not of the mind that you always want to play strong female characters. I think I just want to play characters that are interesting, and not all people are 'strong.'
I say "on principle" [regarding 'lesbian writer'] because whenever you get one of your minority labels applied, like "Irish Writer," "Canadian Writer," "Woman Writer," "Lesbian Writer" - any of those categories - you always slightly wince because you're afraid that people will think that means you're only going to write about Canada or Ireland, you know.
At the end of the day I have many answers for it. It has to do with my mom, who was an extraordinary woman, and a great feminist. It has to do with the people in my life. It has to do with a lot of different things, but -- I don't know! Because I'm not just writing from the female characters for other people. I have a desire to see them in our culture -- that was not met for most of my childhood. Except occasionally by James Cameron. [From the 2011 San Diego Comic Con, in response to being asked why he writes strong female characters.]
I believe that to create real-seeming characters, the writer must be willing to go on a voyage of self-exploration. It can be revealing and even painful to explore your own weakness, but it gives you genuine emotion. Characters in fiction come alive because of the believability of their emotional lives and that is what I strive to create.
A writer has to stand outside the page. It's not for the writer to shed tears onto the pages for these characters. It's not for him to suffer or to laugh or to experience ecstasy or agony in the manner of the characters on the pages.
As a woman, I don't feel like I have a responsibility to create better female characters. I feel like I have a responsibility to create good characters. Because the truth is, those kinds of things ghettoize us even more as writers.
It feels as though a very disproportionate number of main characters are writers, because that's what the writer knows. Fair enough. But nothing bothers me more in a movie than an actor playing a writer, and you just know he's not a writer. Writers recognize other writers. Ethan Hawke is too hot to be a writer.
To choose a writer for a friend is like palling around with your cardiologist, who might be musing as you talk to him that you are a sinking man. A writer's love for another writer is never quite free of malice. He may enjoy discussing your failures even more than you do. He probably sees you as tragic, like his characters - or unworthy of tragedy, which is worse.
I wish we had more female writers. Most of the female characters you see in films today are ‘the poor heartbroken girl.’ That’s why I’m so proud of the Fast movies. I feel like Giselle is an empowering woman.
I believe the only way a writer can keep himself up to the mark is by examining each story quite coldly before he starts writing it and asking himself if it is all right as a story. I mean, once you go saying to yourself, 'This is a pretty weak plot as it stands, but I'm such a hell of a writer that my magic touch will make it okay,' you're sunk. If they aren't in interesting situations, characters can't be major characters, not even if you have the rest of the troop talk their heads off about them.
I think the superhero platform gives the female character, you know, a relate-ability for the male audience as well. So, I think that's why people are kinda gravitating towards female super hero characters, and also female characters in general as big parts of the film. So, that's great for us, female actors who want to do roles like that, which is really great.
You know, it's hard as a writer to lose characters (and actors) you like. You really don't want them to die because you're not going to get to see them anymore.
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