A Quote by Edgar Allan Poe
And much of Madness, and more of Sin,
And Horror the soul of the plot.
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Sin is very important to the soul because sin is what disintegrates the soul; it's what attacks the soul. Sin kind of is to the soul what cancer is to the body.
But my doubt would not be overcome. Kierkegaard had declared that it was only to the consciousness of sin that Christianity was not horror or madness. For me it was sometimes both.
The least sin should humble the soul, but certainly the greatest sin should never discourage the soul, much less should it work the soul to despair. Despairing Judas perished, whereas the murderers of Christ, believing on Him, were saved.
I don't think plot as a plot means much today. I'd say that everybody has seen every plot twenty times. What they haven't seen is characters and their relation to one another. I don't worry much about plot anymore.
Oh! Could you but see the beauty of a soul in the grace of God, you would be so much enamored of it that you would do nothing else but ask souls of God; and, on the contrary, could a soul in mortal sin be placed before your eyes, you would do nothing but weep, and you would hate sin more than the devil himself, and always pray for the conversion of sinners.
I grew up on all sorts of horror - Hammer Horror and Vincent Price's 'Theatre Of Blood.' I loved the hidden, scary layers, but there wasn't that much around for youngsters in terms of horror books. I can remember reading Stephen King's 'Salem's Lot' and 'Cujo,' but I thought there should be more for teenaged horror fans.
A tender heart is a wakeful, watchful heart. It watches against sin in the soul, sin in the family, sin in the calling, sin in spiritual duties and performances.
when ... I've thought of madness, it seems most easily explained to me as poetry in action. A life of symbol rather than reality. On paper one can understand Gulliver, or Kafka, or Dante. But let a man go about behaving as if he were a giant or a midget, or caught in a cosmic plot directed at himself, or in heaven or hell, and we feel horror - we want to disavow him to proclaim him as far removed as possible from ourselves.
I am much more aware of making the plot more original, avoiding contrivance, having the story matter much more. I used to think more about symbols consciously. Now I think much more about the story.
There is also a third kind of madness, which is possession by the Muses, enters into a delicate and virgin soul, and there inspiring frenzy, awakens lyric... But he, who, not being inspired and having no touch of madness in his soul, comes to the door and thinks he will get into the temple by the help of art - he, I say, and his poetry are not admitted; the sane man is nowhere at all when he enters into rivalry with the madman.
My sin, oh, the bliss of this glorious thought!
My sin, not in part but the whole,
Is nailed to the cross, and I bear it no more,
Praise the Lord, praise the Lord, O my soul!
For I wondered that others, subject to death, did live, since he whom I loved, as if he should never die, was dead; and I wondered yet more that myself, who was to him a second self, could live, he being dead. Well said one of his friend, "Thou half of my soul"; for I felt that my soul and his soul were "one soul in two bodies": and therefore was my life a horror to me, because I would not live halved. And therefore perchance I feared to die, lest he whom I had much loved should die wholly.
Obviously, a theatrical masterpiece needs more than a plot; many television shows are nothing but plot, and it is doubtful that they will stand the test of time. But I also don't think that making fun of plot or acting like we're all somehow 'above' structure is such a good idea.
Much Madness is divinest Sense -- To a discerning Eye -- Much Sense -- the starkest Madness -- 'Tis the Majority In this, as All, prevail -- Assent -- and you are sane -- Demur -- you're straightway dangerous -- And handled with a Chain --
I tend to fall more into the fun horror genre than the traumatic horror genre. I love the films where you're laughing as much as screaming, but that doesn't mean I don't like the other ones.
I wanted to reinvent horror comics. I felt like it was my mission to open people's eyes to the fact that horror comics could be so much more than the popular perception of them.
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