A Quote by Edgar Allan Poe
There are certain themes of which the interest is all-absorbing, but which are too entirely horrible for the purposes of legitimate fiction.
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There is at this present juncture, a certain fermentation of mind, a certain activity of speculation and enterprise which if properly directed may be made subservient to useful purposes; but which if left entirely to itself, may be attended with pernicious effects.
I guess working in the legitimate industry, the best thing you can take away from it is acceptance of the incompetence that often surrounds you. No, that sounds horrible. The most important thing, I guess, is the fact that working in the legitimate industry, what I see all too often is people trying to interpret the wishes of the audience, which with today's technology, is all too easy to measure empirically.
I, as the writer, can be very clear that I am writing a work of heightened fiction, as opposed to documenting horrible things that happen every day in the world. Which I have no interest in doing.
This idea of walls, segregation, labels, and 'You against us' and 'We are superior and you are inferior.' Which people are legitimate? Which relationships are legitimate or not? Who declares that under which authority? These are things that are hugely important.
When I was a boy, I read with great interest but skepticism about as magic lamp which was used with success by a certain Aladdin. Today I have no skepticism whatsoever about the magic of the xenon flash lamp which we use so effectively for many purposes. (1970)
In the business world, everyone is always working at legitimate cross purposes, governed by self interest.
Interest in certain themes doesn't mandate a personal stake or personal experience of those themes. I've killed people in plays, but no one asks me what it's like to kill people.
If you write fiction you are, in a sense, corrupted. There's a tremendous corruptibility for the fiction writer because you're dealing mainly with sex and violence. These remain the basic themes, they're the basic themes of Shakespeare whether you like it or not.
Capitalism in its imperialistic stage is a system which regards war as a legitimate method for solution of international disputes - a method which is legitimate in fact if not legally so.
Plato defined a slave as one who accepts from another the purposes which control his conduct. This condition obtains even where there is no slavery in the legal sense. It is found wherever men are engaged in activity which is socially serviceable, but whose service they do not understand and have no personal interest in.
I'd say the biggest relationship is the repetition of certain themes. I don't want to say "topics," but certain points of interest.
My role - and that is too emphatic a word - is to show people that they are much freer than they feel, that people accept as truth, as evidence, some themes which have been built up at a certain moment during history, and that this so-called evidence can be criticized and destroyed.
Mousse was a Labrador retriever, which is a large enthusiastic bulletproof species of dog made entirely from synthetic materials. This is the kind of dog that, if it takes an interest in your personal regions (which of course it does) you cannot fend it off with a blowtorch.
The world, which God looked at and found entirely good, we find none too good to pollute entirely and destroy piecemeal.
the leader releases energy, unites energies, and all with the object not only of carrying out a purpose, but of creating further and larger purposes. And I do not mean here by larger purposes mergers or more branches; I speak of larger in the qualitative rather than the quantitative sense. I mean purposes which will include more of those fundamental values for which most of us agree we are really living.
Science must constantly be reminded that her purposes are not the only purposes and that the order of uniform causation which she has use for, and is therefore right in postulating, may be enveloped in a wider order, on which she has no claim at all.
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