A Quote by Edgar Bronfman, Sr.

My childhood was marked by a tension between privilege on the one hand and emotional dysfunction on the other. — © Edgar Bronfman, Sr.
My childhood was marked by a tension between privilege on the one hand and emotional dysfunction on the other.
The tension between centrality, on the one hand, and competition, on the other, is probably the oldest of all market structure issues.
I think people are frustrated with dysfunction, not just dysfunction in government, but a lot of dysfunction that surrounds them. I get the frustration with drugs in the neighborhood or my kids with big college loans can't find a job.
In Britten or Berg, there's a tension between the sweet and the sour, between the familiar and the unfamiliar, the tonal and the atonal, the happy and the sad. That, to me, is what all western art is about - that tension. It's why we want to say anything at all.
As I like to say to the people in Montgomery: "The tension in this city is not between white people and Negro people. The tension is, at bottom, between justice and injustice, between the forces of light and the forces of darkness.
I was born an emotional tampon in a cauldron of dysfunction.
If I have an unusual gift, it's not that I draw particularly better than other people - I've never fooled myself about that. Rather it's that I remember things other people don't recall: the sounds and feelings and images - the emotional quality - of particular moments in childhood. Happily an essential part of myself - my dreaming life - still lives in the light of childhood.
He [Gandhi] was not one of those saints who are marked out by their phenomenal piety from childhood onwards, nor one of the other kind who forsake the world after sensational debaucheries.
The tension between the governed and the governing is what makes the world go 'round. It's not love, it's that tension, because that tension exists in love affairs. The whole idea of control is at the heart of human relationships. Control and resistance to control.
We live in a historical period characterized by a sharp discrepancy between the intellectual development of man... and his mental-emotional development, which has left him still in a state of marked narcissism with all its pathological symptoms.
Many consider that Shostakovich is the greatest 20th-century composer. In his 15 symphonies, 15 quartets, and in other works he demonstrated mastery of the largest and most challenging forms with music of great emotional power and technical invention...All his works are marked by emotional extremes - tragic intensity, grotesque and bizarre wit, humour, parody, and savage sarcasm.
The tension in the world is the tension between the ego and the feminine, not between the masculine and the feminine.
My writing flows out of my doctorhood. They are not separate things. They are one. I think the foremost connection between being a doctor and being a writer is the great privilege of having an intimate view of one's fellow humans, the privilege of being there and helping other people at their most vulnerable moments.
If I was born into a household with anxiety about money, I wouldn't have had as much freedom to be in my own world. So it's impossible for me to divorce the privilege of my childhood from the other things.
The difference to me is not between the believers on one hand and the nonbelievers on the other hand. It's between people who carry in their hearts some sense of what the word "God," at least to me, means, which is a loving, creating, everlastingly renewing presence deeply concerned with the well-being of the earth and all its creatures.
It has sometimes been said that we find nowhere in nature an analogue of the difference between happens and is, on the one hand, and ought, on the other hand.
What you have in the Middle East is tension not between Jews and Arabs, not between Israelis and Palestinians, but between the radical wing and the moderate people.
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