I've got no interest in football. My brother's a footballer, too, and I was dragged to the freezing pitch every week as a child. I don't see much glamour in it.
The real Pogba is the one you see every time. You know, when I'm on the pitch, I cannot act. I'm not an actor. So when I'm in the pitch, I like to joke and laugh, and outside the pitch, I'm the same. For me, I'm normal. I come and play football. I do what I love.
To me, there's still nothing more thrilling than, every week, people getting to see another chapter in this story that you're telling.
It all goes back to the players putting everything out on the pitch. They commit to the game, so the support gets behind them straight away. They don't see half-hearted performances, they don't see people that are not running around. They see players competing, putting in the effort and enthusiasm.
It [TV] is the cancer of film. It's why people can't be educated to film. In the late '60s, we expected to see a movie or two every week and be stimulated, excited and inspired. And we did. Every week after week. Antonioni, Goddard, Truffaut - this endless list of people. And then comes television and home video. I know how to work exactly for the big screen, but it doesn't matter what I think about the art of movie-making versus TV.
You do see very few English players going abroad and those that do are largely good players otherwise they wouldn't have gone, but I feel a lot of their downfall is in the language. On the pitch you can learn the different basics of 'left,' 'right' and 'behind you' but off the pitch you want to have that influence around the team.
I know a lot of people that still buy comics, go to the shop every week, I know people who read them on an iPad. My brother reads on an iPad every week, he downloads his comics every week.
I'm not executing my pitches. I'm not commanding my fastball, and I get behind in the count. When I try to throw strikes, I'm getting hurt. That's not the way I pitch.
Sometimes things are said on the pitch that people won't see at home. There's a bit of banter on the pitch as well.
Getting a chance to see good, decent, patriotic people who just want to have self-determination is something for which I will be grateful for the rest of my life.
People recognize actors that they see regularly, like people they see on the television every week.
Even if you see a great performance, it's not always great getting there. There are injuries... Intrinsically or unconsciously, people understand that - people see those performances, and they know there are stories behind that.
I find it ever so archaic, chanting, but I can see why people do it. I love seeing people getting all their frustrations out for the week.
When you're facing a different guy every at-bat, he's coming at you with his best stuff. There's no warm-up; there's no 'see a pitch.' You've got to be locked in from the very first pitch... The biggest thing is do your homework before the game starts.
I'm basically a creature of habit - I do practically the same thing every week, every day of every week: I go to the office, I meet people, I write, I read, and, of course, I give lectures.
When I say: "I'm looking at you, I can see you", that means: "I can see you because I can't see what is behind you: I see you through the frame I am drawing. I can't see inside you". If I could see you from beneath or from behind, I would be God. I can see you because my back and my sides are blind. One can't even imagine what it would be like to see inside people.