A Quote by Edgar Davids

I just grew up in Ajax with all the players from Ajax. We only had two or three foreigners, so everyone knew each other and knew the system. — © Edgar Davids
I just grew up in Ajax with all the players from Ajax. We only had two or three foreigners, so everyone knew each other and knew the system.
At Adaptive Path, we've been doing our own work with Ajax over the last several months, and we're realizing we've only scratched the surface of the rich interaction and responsiveness that Ajax applications can provide.
My first dream as a young boy was to be a gymnast and my first memory of football is of watching Ajax win the European Cup in 1971. It was a time when a great philosophy was being developed at Ajax, making rounded players who were there as a complete team rather than as 11 individuals.
I've always been a big Ajax fan. It is not very strange - my whole family supports Ajax.
When I played at Ajax, we felt as if we were 1-0 up when we took to the field. We already knew in advance of games that we were going to win.
When I went to Spain two years ago, I only knew three Valencia players. I didn't know anything about La Liga, and within six months, I knew everything. I was speaking another language and knew everything about the game, so I am a fast learner.
When I was young, the best moment came when I was 10 and I got invited to the academy. I remember getting all this Ajax training gear and suddenly I was able to call myself an Ajax player.
A system depends on the players you have. I played 4-3-3 with Ajax, 2-3-2-3 with Barcelona and a 4-4-2 with AZ. I'm flexible. The philosophy stays the same though. I don't think that you can adapt it to every possible situation. You need the right mindset, and it depends on how the players see the coach and vice versa. The coach is the focal point of the team but you need to have an open mind, and so do all the players. Everyone needs to work together to achieve a common goal.
If people were really naked and everyone knew what each other was thinking, everyone would probably just laugh... or they'd lock each other up.
I grew up watching 'Big Train,' these collectives of comedians who knew each other, and as a comedy fan you knew who was going out, who were best friends.
I think there are always a lot of rumours about players from Ajax. We develop great players, not only in Amsterdam but hopefully also in Cape Town, and there is interest in a lot of our players, but we like to keep them for as long as possible.
I would like Ajax to be people's favourite second team. Like in Spain, if you are a Real Madrid fan, then you can't be a Barcelona supporter. It's the same in Italy. But you can be an Ajax fan.
When they were making black films in the '60s and the '70s, everyone knew their place, if you get my drift. You understand? Everyone knew the rules, and everyone knew their place. Everyone knew what to say. They had the written rules in Hollywood film, and the unwritten rules.
But many, many stories were told; from what could be gathered, all fifty of the mine's inhabitants had reacted on each other, two by two, as in combinatorial analysis, that is to say, everyone with all the others, and especially every man with all the women, old maids or married, and every woman with all the men. All I had to do was to select two names at random, better if different sex, and ask a third person, "What happened with those two?" and lo and behold, a splendid story was unfolded for me, since everyone knew the story of everyone else.
From the first time we met, we knew everything that mattered about each other, didn't we? We just knew. I guess that's what best friends are: parts of each other.
And I knew in my bones that Emily Dickinson wouldn't have written even one poem if she'd had two howling babies, a husband bent on jamming another one into her, a house to run, a garden to tend, three cows to milk, twenty chickens to feed, and four hired hands to cook for. I knew then why they didn't marry. Emily and Jane and Louisa. I knew and it scared me. I also knew what being lonely was and I didn't want to be lonely my whole life. I didn't want to give up on my words. I didn't want to choose one over the other. Mark Twain didn't have to. Charles Dickens didn't.
I grew up in the business since I was three years old so I've always kind of been in front of the camera and grew up in commercials and I knew that I wanted to do it no matter what, I just loved it.
This site uses cookies to ensure you get the best experience. More info...
Got it!