A Quote by Edgar Degas
Hitherto the nude has always been represented in poses which presuppose an audience. But my women are simple, honest creatures who are concerned with nothing beyond their physical occupations... it is as if you were looking through a keyhole.
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These women of mine are decent, simple human beings who have no other concern than that of their physical condition... it is as though one were watching through a keyhole.
Read. It makes you more intelligent. It’s that simple. We all see the universe through the tiny keyhole of our own eyes, and every book is another keyhole from which you can gaze.
One of the things that's attractive about cyberspace is that it can be construed as no threat. If you see it through the video game keyhole, the amusement keyhole, the entertainment keyhole, it is no threat. If you see it through the LSD keyhole, the consciousness-expanding keyhole, it's like electronic drugs: it is a threat.
Having a boy play a girl (and when I say 'play a girl' I don't mean that he is represented as a girl, because he is represented as a young man) is complicated. He knows he's looking at photographs of a girl and copying those poses. So the audience sees him as a man, but he can only see himself as a woman, because that's the model he's looking at. It was a really interesting exchange.
What is a scientist after all? It is a curious man looking through a keyhole, the keyhole of nature, trying to know what's going on.
When we were hit on 9/11 it took us a few weeks to get the coalition together because [George] Bush had come in with a kind of narrow ideology, looking at the world, I'd say, through a keyhole and not through a door.
Movies are a voyeuristic experience. You have to make the audience feel like they are peeking through a keyhole. I think of myself as the audience. Then I use light, framing, and motion to create a focal point.
Time is a keyhole.... We sometimes bend and peer through it. And the wind we feel on our cheeks when we do--the wind that blows through the keyhole--is the breath of all the living universe.
Who you really are is Non-Physical Energy focused in a physical body, knowing full well that all is well and always has been, and always will be. You are here to experience the supreme pleasure of concluding new desires, and then of bringing yourself into vibrational alignment with the new desires that you've concluded, for the purpose of taking thought beyond that which it has been before.
Just as the historian can teach no real history until he has cured his readers of the romantic delusion that the greatness of a queen consists in her being a pretty woman and having her head cut off, so the playwright of the first order can do nothing with his audience until he has cured them of looking at the stage through the keyhole, and sniffing round the theatre as prurient people sniff round the divorce court.
An Individual, whatever species it might be, is nothing in the Universe. A hundred, a thousand individuals are still nothing. The species are the only creatures of Nature, perpetual creatures, as old and as permanent as it. In order to judge it better, we no longer consider the species as a collection or as a series of similar individuals, but as a whole independent of number, independent of time, a whole always living, always the same, a whole which has been counted as one in the works of creation, and which, as a consequence, makes only a unity in Nature.
I've never looked through a keyhole without finding someone was looking back.
Temptation is the devil looking through the keyhole. Yielding is opening the door and inviting him in.
Because the divine goodness could not be adequately represented by one creature alone, God produced many and diverse creatures, that what was wanting in one in the representation of the divine goodness might be supplied by another. For goodness, which in God is simple and uniform, in creatures is manifold and divided. Thus the whole universe together participates in the divine goodness more perfectly and represents it better than any single creature.
The event is placed at such a distance, and contained, that these images move beyond the context in which they were made, the geographic setting, and so on, and engage the viewer in a one-to-one relationship solely through their physical presence.
There were a lot of pretty women in cinema around Audrey Hepburn's time, but she stood out because she had a very interesting personality - which went beyond her looks. She did so much for women, for animal rights, for children's education - it's always the personality that comes through and makes one seem beautiful.
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