A Quote by Edgar Degas

What is certain is that setting a piece of nature in place and drawing it are two very different things. — © Edgar Degas
What is certain is that setting a piece of nature in place and drawing it are two very different things.
In fact, I believe to a certain extent a person today who starts with just clay, with no drawing and no painting and no figure drawing, still-life drawing, various things, they miss a great deal.
The Third Quartet I made the instruments in pairs - Two different pairs - Violin and viola, and violin and cello. They played very different things from each other all through the whole piece.
I did this film with Russell Crowe called 'The Water Diviner,' which took place just after WWI. It was fascinating because the weapons between WWI and WII were very different. I had to learn how to ride horses in a battle setting. It was important that we rode a certain way.
Realize that a drawing is not a copy. It is a construction in very different materials. A drawing is an invention.
We have been crafted by disaster to push out to the utmost horizon to find out what's on the other side of it. That's in our nature. What's also in our nature is a profound love and connection to our children and our communities. Those two things are very much at conflict with one another at certain moments.
Move to a new country and you quickly see that visiting a place as a tourist, and actually moving there for good, are two very different things.
Drawing is more fun to me than writing. I think it's interesting to talk to different cartoonists about how those activities work for them. I'm a very writerly cartoonist. I certainly spend more time on the writing than I do on the drawing, even though the drawing, of course, is very time-consuming.
For me, travelling and drawing the world, experiencing as much as possible first hand, has been very important. Making notes, drawing and writing on the move, became second nature.
Europe is a very different place from my native country of Colombia and my children are growing up in a very urban setting which is nothing like when I was growing up and would be able to play barefoot in the street. But we have a very good life.
I like doing clay work. It's different from drawing on a page because you have something to mold into different shapes. It's quite visual, it's a thing you can hold and feel, and that makes it different from drawing.
I am trying to represent design through drawing. I have always drawn things to a high degree of detail. That is not an ideological position I hold on drawing but is rather an expression of my desire to design and by extension to build. This has often been mistaken as a fetish I have for drawing: of drawing for drawing’s sake, for the love of drawing. Never. Never. Yes, I love making a beautiful, well-crafted drawing, but I love it only because of the amount of information a precise drawing provides
There's so much pressure to be at a certain level in your job and at a certain place in your life, but if everyone was doing things at the same time, then life would be so boring. Everyone reaches different stages at different times.
I hadn't found out yet that mankind consists of two very different races, the rich and the poor. It took me ... and plenty of other people . . . twenty years and the war to learn to stick to my class and ask the price of things before touching them, let alone setting my heart on them.
Usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes. I kind of do the drawing with the painting in mind, but it's very hard to guess at a size or a color and the colors around it and what it will really look like. It's only a guess at the beginning, and then I try to refine it.
My experience of life is that it's very fragmented; certain kinds of things happen, and in another place, a different kind of thing occurs. I would like my work to have some vivid indication of those differences.
Drawing and color are by no means two different things. As you paint, you draw... When color is at its richest, form is at its fullest.
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