A Quote by Edgar Degas
A painting is above all a product of the artist's imagination, it must never be a copy. If, at a later stage, he wants to add two or three touches from nature, of course it doesn't spoil anything.
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The artist does not draw what he sees, but what he must make others see. Only when he no longer knows what he is doing does the painter do good things. A picture is first of all a product of the imagination of the artist; it must never be a copy. If then two or three natural accents can be added, obviously no harm is done. The air we see in the paintings of the old masters is never the air we breathe.
A picture is first of all a product of the artist's imagination, it must never be a copy.
My room is dominated by the huge painting, which is a copy of 'The Violation' by the Belgian surrealist Paul Delvaux. The original was destroyed during the Blitz in 1940, and I commissioned an artist I know, Brigid Marlin, to make a copy from a photograph. I never stop looking at this painting and its mysterious and beautiful women.
Modifying ourselves is a natural process because we are a product of nature and what we do is a product of nature. Therefore, if one day we have three time bigger brain and two hearts instead of one (because one is not enough) then this is all part of nature.
Imagination! Imagination! I put it first years ago, when I was asked what qualities I thought necessary for success upon the stage. And I am still of the same opinion. Imagination, industry [hard work], and intelligence-the three I's-are all indispensable to the actor, but of these three the greatest is, without any doubt, imagination.
Personally I would like to have pupils, a studio, pass on my love to them, work with them, without teaching them anything.. ..A convent, a monastery, a phalanstery of painting where one could train together.. ..but no programme, no instruction in painting.. ..drawing is still alright, it doesn't count, but painting - the way to learn is to look at the masters, above all at nature, and to watch other people painting.
The real truthfulness of all works of imagination, sculpture, painting, and written fiction, is so purely in the imagination, that the artist never seeks to represent positive truth, but the idealized image of a truth
I've always avoided publicity. I've never been good copy at any stage of my life. I don't strive for it, because I don't think it's important whether I'm good copy or not. The two can go together, if that's your personality, but every person on this earth is unique.
The true essence of Chinese culture is sophistication, refinement, the spirit of poetry. The spirit of ink painting and calligraphy lives on forever. Calligraphy is more important than painting. Chinese always consider nature. Man is a very small part of nature. That's why in Chinese painting you see huge mountains and man very small, very humble before nature. You must be harmonious and one with nature. You don't fight it. And then there's a bit of a poetry. Of course, it's very complicated, but also very simple.
According to the celestial multiplication table, once one is three, and three times one is one, and according to heavenly subtraction if we take two from three, three are left. The addition is equally peculiar, if we add two to one we have but one. Each one is equal to himself and the other two.
There are three kinds of nature in man, as Nicetas Stethatos further explains: the carnal man, who wants to live for his own pleasure, even if it harms others; the natural man, who wants to please both himself and others; and the spiritual man, who wants to please only God, even if it harms himself. The first is lower than human nature, the second is normal, the third is above nature; it is life in Christ.
The human understanding is a revelation from its maker, which can never be disputed or doubted. There can be no scepticism, Pyrrhonism, or incredulity or infidelity here. No prophecies, no miracles are necessary to prove this celestical communication. This revelation has made it certain that two and one make three, and that one is not three nor can three be one. We can never be so certain of any prophecy, or the fulfilment of any prophecy, or of any miracle, or the design of any miracle, as we are from the revelation of nature, that is, nature's God, that two and two are equal to four.
One advantage of the discovery of the Photographic Art will be, that it will enable us to introduce into our pictures a multitude of minute details which add to the truth and reality of the representation, but which no artist would take the trouble to faithfully copy from nature.
An artist must have imagination. An artist who does not use his imagination is a mechanic.
Never draw anything you can copy, never copy anything you can trace, never trace anything you can cut out and paste up.
All legislation, all government, all society is founded upon the principle of mutual concession, politeness, comity, courtesy; upon these everything is based...Let him who elevates himself above humanity, above its weaknesses, its infirmities, its wants, its necessities, say, if he pleases, I will never compromise; but let no one who is not above the frailties of our common nature disdain compromises.
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