A Quote by Edgar Mitchell

We went to the Moon as technicians; we returned as humanitarians. — © Edgar Mitchell
We went to the Moon as technicians; we returned as humanitarians.
Actors betray. Technicians don't. Movies are made by technicians.
I might inform those humanitarians who have a nightmare of new and needless babies (for some humanitarians have that sort of horror of humanity) that if the recent decline in the birth-rate were continued for a certain time, it might end in there being no babies at all; which would console them very much.
Everybody knows what the moon is, everybody knows what this decade is, and everybody can tell a live astronaut who returned from the moon from one who didn't
The first movies were made by technicians building their own cameras. Movies became an art when technicians worked on the technique and artists took care of the content.
I think over the course of 14 films, I'm returning to a place that I know to tell a story... the same way Spielberg returned to fantasy, Lucas returned to the 'Star Wars' saga, or John Ford returned to the western.
One marvel of a day he had walked so far that when he returned the moon was high and full and all the world was purple shadow and silver.
There are three roads to ruin; women, gambling and technicians. The most pleasant is with women, the quickest is with gambling, but the surest is with technicians.
After a while the press of business in the province put an end to our philosophizing, and I returned with increased determination to my plans to fly to the Moon.
There was just one moon. That familiar, yellow, solitary moon. The same moon that silently floated over fields of pampas grass, the moon that rose--a gleaming, round saucer--over the calm surface of lakes, that tranquilly beamed down on the rooftops of fast-asleep houses. The same moon that brought the high tide to shore, that softly shone on the fur of animals and enveloped and protected travelers at night. The moon that, as a crescent, shaved slivers from the soul--or, as a new moon, silently bathed the earth in its own loneliness. THAT moon.
I want to do Hindi films, but a proper one and a good production. I'm even open to multi-starrers because those work better in Bollywood. But it should be with only Bollywood technicians, not the South Indian team. There's no point to my going to Bollywood if I work with the same artistes and technicians.
My technicians are my most important tools. Once I establish a rapport with them, then they would understand me in my next film. I wouldn't have to train anyone new. I give a lot of respect to all my technicians, because I'm a technician too. I wouldn't be able to convey a feeling if the writer didn't write it well, and the cameraman didn't shoot it well.
How much more beautiful is the moon, Slanting down the gauffered branches of a plum-tree; The moon Wavering across a bed of tulips; The moon, Still, Upon your face. You shine, Beloved, You and the moon. But which is the reflection?
The common thread between 'Moon Shoes' and 'Midnight Moonlight' would definitely be their connection to the moon. However, I feel they both capture a very different quality of the moon. Perhaps 'Moon Shoes' epitomizes the moon during the summer, while 'Midnight Moonlight' the winter.
The moon is whole all the time, but we can’t always see it. What we see is an almost moon or not-quite moon. The rest is hiding just out of view, but there’s only one moon, so we follow it in the sky. We plan our lives based on its rhythms and tides.
Oh, if the moon only had a secret, if the moon only held a truth. But the moon was just the moon.
What was supposed to be so special about a full moon? It was only a big circle of light. And the dark of the moon was only darkness. But halfway between the two, when the moon was between the worlds of light and dark, when even the moon lived on the edge...maybe then a witch could believe in the moon.
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