A Quote by Edgar Ramirez
Whenever someone comes up to me saying, 'I saw you in 'Carlos' and then I saw the rest of your movies,' for me, it's an expression that we might be doing something well. So my life hasn't changed that much. I just try not to go to very crowded places if I'm not in the mood.
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In this whole screwed-up town, you're the only thing that's always been right to me," he whispered. "I love you, Claire." She saw something that might have been just a flash of panic go across his expression, but then he steadied again. "I can't believe I'm saying this, but I do. I love you.
Oh, 'The Thing' is one of my favorite movies of all time. That changed my life because I was like, 'I've got to do this.' Something that scared me that much? It was the first R-rated movie I ever saw, and I was like, 'Dude, I'm changed.'
There was a massive poster of me down my road, right outside the chip shop. I was about to go in, but then I saw it and changed my mind. Me coming out with a bag of chips, while I'm up there doing crunches on the poster... well, it would not look good.
If I read a script and the subject stays with me - then that's when I want to go to work. Before, I was very addicted to being on set, and I was doing three or four movies a year for many years. Now, fortunately, I can go to work only when I am passionate about a project, and the rest of the time, I can live my life. I'm not interested in doing movies just as a marathon. When I go to work now, I have much more to give. But the other way, you get empty.
Oftentimes people say to me, 'Oh I didn't know you could do so much with locs until I saw your videos or I saw photos of you at events.' So whenever I hear that people have been really inspired to experiment with their hair or their look because of me, it's very flattering and really cool.
The idea of me writing something that I'd get to be in as well was not what I saw coming. I do think that life works that way. When you kind of let go of something and accept that it hasn't worked, it takes all the pressure off, and then you end up getting it.
No. You can't work your way into heaven. Anytime you try and justify yourself with works, you disqualify yourself with works. What I do here, every day, for the rest of my life, is only my way of saying, 'Lord, regardless of what eternity holds for me, let me give something back to you. I know it doesn't even no scorecard. But let me make something of my life before I go.. and then, Lord, I'm at your mercy.
I read "Milk" and immediately I was very emotional after reading it and then I saw the documentary - the one that Rob Epstein did - and I said that's it. I saw it with my daughter and that was it. This thing is a different thing. It's like I've been offered these kind of superhero movies or "Terminator" or whatever those movies are and I just go ahh.
'Crash' came from personal experience. I saw things inside me from living in L.A. that made me uncomfortable. I saw horrible things in people and saw terrible things in myself. I saw a black director completely humiliated, but the three people around me just thought it was funny. 'No,' I said, 'that is selling your soul.'
For in the Third Showing when I saw that God does all that is done, I saw no sin: and then I saw that all is well. But when God showed me for sin, then said He: All SHALL be well.
The Vikings saw something in me, and I will forever be grateful for that. They saw me as someone who, with the right help, could really succeed.
You're telling me that you can raise the dead by simply summoning?" "Yes." "My God," she whispered, staring at me."What have they done?" Hearing her words and seeing her expression, I knew I'd just done something worse than raising the dead-- I'd confirmed her worst fears about us. In her eyes, I saw the same thing I saw when people looked at Derek. I saw fear. And I knew we were in trouble.
I remember thinking as I was doing the jokes for the first time, "If I can hear that very clearly, I'm not hearing laughter." It just became deafening, this buzzing noise. I mean, it was brutal. It was really terrible. Then I remember thinking, "At least nobody important, or anyone who I really respect, saw that." And then literally right when I went off the stage, Jerry Seinfeld got up and went on. So I was like, "Oh great. Seinfeld saw me bomb." On the other hand, I thought, "At least no one will be thinking of me anymore. They'll just be focusing on him."
It was Buckley, as my father and sister joined the group and listened to Grandma Lynn’s countless toasts, who saw me. He saw me standing under the rustic colonial clock and stared. He was drinking champagne. There were strings coming out from all around me, reaching out, waving in the air. Someone passed him a brownie. He held it in his hand but did not eat. He saw my shape and face, which had not changed-the hair still parted down the middle, the chest still flat and hips undeveloped-and wanted to call out my name. It was only a moment, and then I was gone.
I certainly wasn't able to get it when I was a kid growing up on the Lower East Side; it was very hard at that time for me to balance what I really believed was the right way to live with the violence I saw all around me - I saw too much of it among the people I knew.
I work from opposites to opposites, in a way. It's finding one thing and then doing the other from film to film. So maybe after 'I Saw the Devil,' I might do something like 'I Saw the Angel' or perhaps something warm and happy.
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