A Quote by Edgar Wilson Nye

They tell me Wagner's music is better than it sounds. — © Edgar Wilson Nye
They tell me Wagner's music is better than it sounds.
Wagner’s music is better than it sounds.
Richard Wagner, a musician who wrote music which is better than it sounds.
Wagner manages to convey emotion with music better than anyone, before or since.
I simply love Wagner's music. That actually started very early. He was the first composer I was exposed very much to because my parents introduced me to Wagner's music very early.
I like Wagner's music better than anybody's. It is so loud that one can talk the whole time without other people hearing what one says.
Most of the dramatism in Wagner comes from a very close link between the music and the language of the text. So much of the expressivity of Wagner's music dramas comes from the singers' capacity to play with the sound of the language. This kind of thing you can do very well in concert performance.
Wagner exploited all forms of expression at a composer's disposal - harmony, dynamics, orchestration - to the extreme. His music is highly emotional, and at the same time Wagner has extraordinary control over the effect he achieves.
My favorite composers are the ones that tell the story. I love Wagner. I love Mahler. Prokofiev. The programmatic music. I listen more to classic rock because I don't like the contemporary music very much.
I would tell kids not be like me, but to try and be better than me. Because I always wanted to be better than everyone I was around. That's what drove me. I wanted to be better than my role models. I'm super competitive.
The peculiar characteristic of classical music is that it is really better than it sounds.
Every single year since they invented sound recording it gets better and better. We've always improved it. With MP3, which just sounds awful, it's the first time in the history of recorded music that it sounds worse. It's really - and it's everywhere, it's ubiquitous.
When I'm alone at home, I really prefer to listen to Wagner's orchestral music rather than any vocal music. I find it illuminating not to have to pay attention to voices in the recordings.
Capitalism works better than it sounds, while socialism sounds better than it works.
They see me all the time at Bayreuth and think I only like Wagner's music, and it's not true.
I think the problem with the term graphic novel is it sounds pompous, it sounds pretentious, whereas on the continent, they call it an album, which to me sounds, it's got more much of a connotation of a kind of a music single and an album collection.
I make the music as if I was scoring it. I do my best that the sounds will fit the theme of that track, but then there are many other times where it can be random and things happen for no reason, just for fun! A storyline can let me organize changes in the music better, like acts in a play.
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