A Quote by Edgar Winter

I liked the more sophisticated urban style of blues like Ray Charles and B. B. King, Bobby Blue Bland, Lou Rawls; people like that with more of a tendency toward jazz.
Little Richard was it for me, man. Later, it was Ray Charles and Bobby 'Blue' Bland, B.B. King.
There were a whole lot, I bought every blues record I could find, it wasn't just one or two people. My vocal influences were Ray Charles and Bobby Blue Bland.
I had always been a jazz fan - Django Reinhardt, Kenny Burrell, Wes Montgomery, Joe Pass, the early George Benson. And I come from the Hank Marvin melodic upbringing. So blues, I loved, but I also liked jazz. Therefore, my style was more lyrical.
When I was a kid, I always looked up to people like B.B. King and Ray Charles.
I don't know why people call me a jazz singer, though I guess people associate me with jazz because I was raised in it, from way back. I'm not putting jazz down, but I'm not a jazz singer...I've recorded all kinds of music, but (to them) I'm either a jazz singer or a blues singer. I can't sing a blues โ€“ just a right-out blues โ€“ but I can put the blues in whatever I sing. I might sing 'Send In the Clowns' and I might stick a little bluesy part in it, or any song. What I want to do, music-wise, is all kinds of music that I like, and I like all kinds of music.
Ray Charles, in his own way, it's like at the beginning, Ray Charles changed American music, not once but twice.
Is there one blues guy who was the most sophisticated and influential, like Duke Ellington or Louis Armstrong in jazz? Was it Muddy Waters, Little Walter, Lightnin' Hopkins, John Lee Hooker, B.B. King, Robert Johnson, or all of them? I think you have to pick all of them.
I never liked blues and I really didn't like jazz. I liked Chuck Berry.
I never liked blues music, and I really didn't like jazz. I liked Chuck Berry.
Good things are associated with blue, like clear days, more than singing the blues. Just the word 'blue' in the singular is full of optimism and positive connotation to most people.
Ray Charles' revolutionary approach to music was also reflected in his politics and his deep and abiding commitment to Martin Luther King and the plight of African-Americans. Ray Charles may not have been on the front lines, but he put his money where his mouth was.
Ray Charles revolutionary approach to music was also reflected in his politics and his deep and abiding commitment to Martin Luther King and the plight of African-Americans. Ray Charles may not have been on the front lines, but he put his money where his mouth was.
I got thrown out of music school for even listening to Fats Domino and Ray Charles. I was asked, 'What kind of music do you like to listen to?' and I said, 'Well, I do like Paul Hindemith and Igor Stravinsky but I also like Fats Domino and Ray Charles,' and they literally said, 'Either forget about that or leave.'
I think of people like Ray Charles, Otis Redding, and Isaac Hayes. They all came out of the South, and they followed a certain tradition and energy. That's no knock to groups like The Temptations or The Supremes, not at all, but they were way more polished in how they did things.
My earliest memories of music are probably my dad listening to a bunch of outlaw country, but also old R&B and Ray Charles, Aretha Franklin. But, you know, I had rock phases and liked more modern R&B acts. I've always listened to all kinds of music, and I like all kinds of music.
My mom and dad divorced when I was 8 years old, but my Dad never left my life. We would go over there on weekends and he'd be playing his guitar, listening to Bobby Blue Bland and B. B. King and KBLX radio while he was out in the garage painting custom cars.
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