A Quote by Edgardo Osorio

I want to make shoes that a woman can walk in. That's kind of what they're made for. — © Edgardo Osorio
I want to make shoes that a woman can walk in. That's kind of what they're made for.
If you have a pair of shoes that hurt, don't wear them. The ugliest thing that I think I've seen is a woman walk like her feet hurt. It's awful, so make sure your shoes fit.
I like shoes. Always liked shoes. Wanted to be a shoe designer or somebody who made shoes, something in shoes.
I think there was, like, a childhood moment where I had to pick shoes, either non-marking or marking shoes. The marking shoes were Spider-Man shoes. I'm like, 'Well, I want the Spider-Man shoes.' But I also didn't want to mark the court; I want to be able to play. I chose the generic, non-marking shoes.
There is nothing charming about a woman who cannot walk in her shoes.
Women tell me they won't date a guy with bad shoes. There are good-looking guys with good-looking outfits, and then really bad-looking square toe I-don't-even-want-to-mention-the-label kind of shoes. There is no reason for that. Again, invest in something that looks proper. A great pair of shoes can make your old outfit look great, too.
The designer side of me has many ideas on how the shoes or woman should look, but the man is thinking 'would I want to see my girl in those shoes?'
You have two categories of Shoes, Shoes which are dressing a woman or Shoes which are undressing a Woman
The guy who made the shoes for 'Hairspray' said putting shoes on me was like putting a pump on a ham. I found out that if I ever was to dress like a woman, I would not be buying off the rack.
Can you imagine if you had a pair of shoes that you could only walk in? That could be kind of limiting under certain circumstances. 'Everybody get outta here! There's a swarm of bees coming!' What? Oh great, I got my walking shoes on today. I guess I better stroll the hell out of here at a moderate pace.
I'll never forget my high school acting teacher, Anthony Abeson, who said, "It starts with the shoes." When I think about a character, it does start with the shoes: What kind would she wear? How would she walk in them? If I'm going to put on a dress for a role - I don't care if it's the hardest dress to put on - I have to put the shoes on first. The physicality leads me to the character.
Not every woman is obsessed with shoes. But every woman is more obsessed with shoes than her husband is (although that's not too difficult to accomplish, since your husband has exactly two pairs--black shoes that are ten years old and barely broken in and sneakers that are so dirty they classify as a biohazard).
She had heard it said that, before you could understand anybody, you needed to walk a mile in their shoes, which did not make a whole lot of sense, because probably AFTER you had walked a mile in their shoes, you would understand that they were chasing you and accusing you of the theft of a pair of shoes--although, of course, you could probably outrun them, owing to their lack of footwear.
When I first came out, I thought, I want to walk like a real woman, I don't want to do mincing steps. And there was some girl I saw walking up Holloway Road in Islington who had this long languid walk and I thought, that's what I like, so I incorporated her walk into mine.
People are led to reason thus: a woman who is a wife is one who has made a permanent sex bargain for her maintenance; the woman who is not married must therefore make a temporary bargain of the same kind.
That's the fun thing about making movies is that you get to do stuff. You get to be things, say things that you're not, kind of walk in someone else's shoes and play dress up and make believe. It's pretty cool.
One of the things I have always said about the man-woman relationship is that I don't want anybody to walk ahead of me, and I don't want anybody to walk behind me. I want a man who will walk along beside me. And that's how I feel about equal rights.
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