A Quote by Edie Brickell

He made me mess the song up when I looked at him... We can show the kids the tape and say, "Look, that's when we first laid eyes on each other." — © Edie Brickell
He made me mess the song up when I looked at him... We can show the kids the tape and say, "Look, that's when we first laid eyes on each other."
So we forgive each other?" The crooked smile climbs up one more time. "Again?" And I look right into his eyes, right into him as far as I can see, because I want him to hear me, I want him to hear me with everything I mean and feel and say. "Always," I say to him. "Every time.
I had no cares. I was one of those kids: ‘If you laugh at me, laugh at me.’ I don’t have that censor, which is important in this business because you’re constantly told: ‘Gosh, you didn’t look very good. You don’t look pretty in that scene, or you didn’t do that right, or you’d look so much better if your hair looked lighter.’ You really have to have tough skin or you’d end up like a heaping, crying mess all the time.
During a training session, Ibra made a mess of five consecutive passes and no-one told him anything. When I made a mess of one, he shouted at me. We had an exchange of words. After training, he came to apologise, and told me it was the first time in his life that he'd been wrong.
I still have a picture: three cars, big house, I'm standing there like I'm 50 Cent. I look at it sometimes and say, 'Look how stupid you were.' But that made me who I am, and I can look back and see it. I've learned. I grew up. I woke up one morning, looked in the mirror, and thought, 'No, that's not me. I don't want to be that. I'm a footballer.'
Sarah took a deep breath and set off along the passageway again. A clump of lichen on the gatepost opened its eyes and watched her go. The eyes, on tendrils, had an anxious look, and when she had gone some distance away the clump, swiveling its eyes toward each other, commenced to gossip among itself. Most of it disapproved of the direction she had taken. You could tell that from the way the eyes looked meaningfully into each other. Lichen knows about directions.
We looked at each other, and I could see in those big reddened eyes that he was not going to scream. He was full of anger - and who could blame him? - but he was no fool. He needed me, and he wanted me here, if only to insult me.
This is love-not what we say to each other but what we not say. Sometime it just one look exchange. Sometime one word. But underlining everything we say or not say, something else. Something heavy and deep, like when we in bed and looking into each other's eyes. For six years, everything between husband and me was on top, like skin. Now it hidden, like bone and muscle. [] He care for me now. He finally see me. And he like what he see.
A rock star is expected to act like a mess, sound like a mess and look like a mess. People don't expect you to show up on time and be a professional. But when you're a pop star, you have to do all that, look perfect and be a role model.
I've known Kyle O'Reilly since 2009. Me and him actually met each other when we had our very first match against each other for Gabe Sapolsyky's DragonGate USA show. Me and Kyle went in there and we had a match that kind of made waves throughout the independent scene as far as us getting our names out there. We both got signed to Ring of Honor at the exact same time.
My life has definitely changed since 'Modern Family.' The show has made me more responsible, I really want to be a good role model for all kids so I have to think about what I say and do and how it looks to other kids!
I look at some of the great novelists, and I think the reason they are great is that they're telling the truth. The fact is they're using made-up names, made-up people, made-up places, and made-up times, but they're telling the truth about the human being- what we are capable of, what makes us lose, laugh, weep, fall down, and gnash our teeth and wring our hands and kill each other and love each other.
When I put out my first mixtape, '50 Cent is the Future,' it was the first tape where an artist did the entire tape in song format.
The whole point of a bar is, I look in your eyes, you look in my eyes, we've never met each other before, we talk, we get to know each other, have a drink together, and the great end of that story is we get married someday.
Right away, I knew I didn't want to have that look of other guys with long hair and bell-bottom pants, because everybody else had that look. I kind of adopted my boarding-school look, which made me stand out. Then the next thing you know, the first song on my first record is a song called "School Days." It's about going to the boarding school I went to. So then I just started to write about myself. The very first song I ever wrote was about a guy I met in a boatyard that we were working in. So I've always had this thing about sticking to more or less what I knew.
Seth laughed when he saw me. “Hey,” I said, poking him with my foot, “be nice.” “I think this is the first time I’ve ever seen you look anything less than…” He paused, playing with word choice. “Well-planned.” “Why, you silver-tongued romantic devil. That is the look I usually go for. Other women go for sexy or chic or beautiful. But me? Well-planned all the way.” “You know what I mean. Besides, unplanned isn’t a bad look for you. Not bad at all.” His voice sounded deliciously low and dangerous, and something ignited between us as we held each other’s eyes.
I glanced up at Zay, then walked over to stand next to him. "You look good with a baby in your arms," he murmured. I took his hand, careful with his fingers that were still wrapped in tape. "Don't get your hopes up, Jones. I'm not the settling-down type." "Want to bet on that?" he asked. "Sure." I made a fist; so did he. We pumped three times. I threw paper. Zayvion threw scissors. I'd lost. Startled, I looked up at him. "Two out of three?" Zay grinned. So did I.
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