A Quote by Edie Brickell
Geffen was never supportive of the band.
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You have to be nice to everybody, regardless of their position because you never know - they could be the next David Geffen. David Geffen started in the mailroom. Treat everybody the same.
I never thought of us as a punk band, a metal band, or a new wave band. Just as a band band.
We'd been on Geffen for a long time, and I think we felt that we needed a change. I just don't think we felt very close to the people at the label after all this time or that they understood what we were trying to do. I don't have any regrets, because at the time we signed with Geffen, it was the right thing to do.
I read comments where our fans say Geffen screwed up 'Coming Home,' they screwed New Found Glory, but that's not really true. Maybe Geffen didn't have the right tools or whatever to get it to the kids, and internally, there were a bunch of changes going on at the label when our record came out, so I don't know if it's anyone's fault.
When I first started doing stuff outside of Hot Chip, I got the impression that Joe Goddard was a bit concerned. But I said, "I really want to record these songs quickly and not turn them into dance music." And he was fairly supportive - maybe not wholly supportive. But then you learn that no one's about to quit the band, so it seems good and healthy.
What we've noticed is that people latch onto our music, and are very, very supportive of it, even almost defensive about it. Quite fanatical, some fans, aren't they? Just like they are in England, once they get a hold of "their" band, they don't want their band to get too big anyways.
Never underestimate a girl’s love for her favorite band. Never think even for a minute, that she won’t defend them to her death. Because it’s not just the music that makes that band her favorite. It’s the guys, the gals. It’s the fans. People whom of which she has interacted with thanks to the band. That band might of saved her life, or just made her smile everyday. That band has never broke her heart and has yet to leave her. No wonder she finds such joy in her music.
The Smashing Pumpkins was never meant to be a small band. It was going to either be a big band, or a no band.
I was in a rock band; I was my own folk singer; I was in a death metal band for a very short time; I was in a cover band, a jazz band, a blues band. I was in a gospel choir.
I'm in a real minority as far as having really supportive parents in regards to the arts. They never batted an eye as far as not letting me do that stuff. That's invaluable. I can't believe how unabashedly supportive they were about everything, between music and acting.
My expectations for myself were never high. I had a very unusual way of writing songs and of thinking about music. I wasn't at all like Bob Dylan or Simon and Garfunkel. I was completely different - I didn't have a David Geffen at my side.
There's a good sarcasm and a camaraderie that comes after being in a band. And we've known each other forever. We've never been a band that fought or argued. As a songwriter, I'm really happy that the boys support me and contribute and that, but I've always wanted to be under the band Stereophonics.
The first band I was in out of college was a Celtic band, and I had to learn to sing with a microphone, because I'd never done that before. At Oberlin, I never used a mic for any kind of singing.
It was my band. I organized the band and Dizzy was in the band. Dizzy was the first musical director with the band. Charlie Parker was in the band. But, no, no, that was my band.
Usually when I start a new project there's a fear of the unknown; maybe it's a band I've never been in the studio with before. People are so different. It's almost like you need to go through the process, discover and unlock what it is that makes that band that band. And a lot of times they don't know it.
Hopefully people can look at our band and see that we're a heavy rock band. We're definitely not a metal band, but we're a band that focuses on meaningful lyrics and melody.
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