A Quote by Edie Falco

With everything that you do, once the costume is on, and you're in the pretend hospital, and you're there with your co-workers, it all sort of snaps into place: Who you are, what it feels like, who these people are to you.
You're just trying on different identities, like everyone in those Shakespeare plays. And the people we pretend at, they're already in us. That's why we pretend them in the first place.
I think once everything is in place, once you've kind of wrapped your head around the story and the character, it's very liberating and you can start doing things like you would do.
Your Englishman, confronted by something abnormal will always pretend that it isn't there. If, however, you force him to look into it, he'll at once pretend that he sees the object not for what it is but for something that he would like it to be.
Costume is always an asset. Normal costume you have a lot to say about - if you're wearing suits or ties, and what color you want, and how it's going to be cut, and stuff like that, and whether or not you're going to wear a hat, and blah, blah, blah. But, when you're wearing a special costume, and of course, costume is probably the second ingredient in character, script being first, I always find that the costume does a lot to cement your character, to put it firmly in mind.
Everyone feels awkward, everyone feels uncomfortable, everyone gets older, everyone gets lonely, everyone gets sick, everyone eventually dies. You’re at the Aspen Ideas Fest, and you have these really smart, really accomplished people who pretend like they’ve somehow figured out a way to bypass the human condition. We live in this culture where there are so many things that want us to pretend that we’re not truly human.
Everything changes once you start trying to market the film. Part of you feels like everything is slipping away from you. For me, I don't want people going to the theater thinking it's going to be a laugh-a-minute comedy, like a Will Ferrell film or something. Because it's not.
Very nice sort of place, Oxford, I should think, for people that like that sort of place.
I feel like a lot of the stuff coming out right now just feels really inauthentic to me. But apparently, people don't seem to see through it. And this makes me sound bitter, but it's just my perspective. I'm not bitter. I just feel like there's a lot of stuff that doesn't feel like it's coming from a place of any sort of integrity. It just doesn't feel like it's coming from the heart, basically. It just feels like it's being produced because people know it's a formula that will work, or it's easily digestible and fun to look at.
It's appropriate to have magic in a love story, because magic is a sort of metaphor for what love feels like? When we fall in love, the world feels magical to us. It becomes an enchanted place.
Very nice sort of place, Oxford, I should think, for people that like that sort of place. They teach you to be a gentleman there. In the polytechnic they teach you to be an engineer or such like. See?
When you pretend for a living and you have to pretend in your private life as well, it's very sad. Because it's intangible, depression is an issue that people don't like to talk about. It's like a huge, guilty secret.
I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit.
I hope people will never stop dressing up as Harry Potter. It feels less to me like something you wear because you think it's a great costume idea and more like something you wear because you really like wearing your Hogwarts robe, and you really only get the one chance per year.
You have to be in California in order to write or direct movies. People say, "Oh, I'm gonna do it from Pittsburgh. I'm just gonna deliver scripts or fly out, like, once, then fly back." You have to make a full commitment. You have to actually get on a plane, come to L.A., rent a place, and live there. And that's how you forge your career. Not just sort of haphazardly. Once you've got a few hits under your belt, assuming you do, then go back and move away and correspond with the studio.
The church is a sort of hospital for men's souls, and as full of quackery as the hospital for their bodies. Those who are taken into it live like pensioners in their Retreat or Sailors' Snug Harbor, where you may see a row of religious cripples sitting outside in sunny weather.
The church is a sort of hospital for men's souls and as full of quackery as the hospital for their bodies.
This site uses cookies to ensure you get the best experience. More info...
Got it!