A Quote by Edie Sedgwick
Fashion as a whole is a farce, completely. The people behind it are perverted, the styles are created by freaked out people, just natural weirdos. I know this because I worked with all those people while I was modeling.
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Fashion embraces the weirdos. They're into that. There are always young people that people in fashion are interested in. You know, youth and vitality and energy - it brings something different.
I have always worked a bit with fashion people. I worked with Issey Miyake for a while, then Dolce & Gabbana; now we're working with Valentino. It's fine. The fashion world is a fairly weird world, but there are good people in it. It's weird because their timetables are unbearable.
Jobs, as such, are a relatively new concept. People may have always worked, but until the advent of the corporation in the early Renaissance, most people just worked for themselves. They made shoes, plucked chickens, or created value in some way for other people, who then traded or paid for those goods and services.
People have not changed. The media and its love for the fashion world behind the scenes has changed, giving people more access to changing tastes and opinions everywhere. There has been a shift in the last few years, with the new exposure of personal styles on blogs and Instagram and websites, so people are more interested now in showing their own fashion sense and expressing their own style without copying an entire look from an ad campaign. Because of that, stores need to move toward more personal edits and styling.
And I loved the whole idea behind the story, which is that you're beautiful, so don't let other people tell you that you're not just because you don't look like the people in magazines. Or because you're not that weird ideal body image that's out there right now.
I don't get too, like, you know, freaked out or nervous around famous people. But for some reason, Yvonne Orji is just one of those people where I'm like, I'm too - I would be too nervous to meet her.
We have African-Americans and black people getting behind the scenes more and more, we get true black images in television and film...because we have black people behind them. They can tell stories from those points of view and bring to life those characters who have yet to be shown. As long as we have people behind the camera just as much as in front of the camera doing the work, then we'll always be good.
If we just stand at two opposite ends of the spectrum screaming in each other's face, we're never gonna get anything done. I don't agree with a Trump voter, but why do they feel like that? Yes, some of those people are racist and have hateful opinions, but some of those people voted for him because they felt completely left behind.
I don't think fashion week will go back to what it used to be because people are realising that the industry is completely changing. It's not just in Bryant Park any more, people are figuring out who their audience is, where they want to show, they aren't really playing by the rules. It's not so much about these editors, these buyers.
There's some weirdos out there, a few stalker fans out there, but nothing I can't handle. People are just going out of their way to hunt down information and get a hold of me. People call obsessively or things like that.
I love working with people I've worked with before and that can be true of when people have worked together. But if two people have a natural chemistry and it just works, to be there for the first time, particularly on a story where it's about these two people meeting for the first time, that goes a long way.
The British Fashion Awards are also very important because it's my hometown. But it's really a recognition of my team, and those awards give me an opportunity to thank them in a formal way. You and I have worked together enough to know that it really isn't about two people. It's a whole team. And so it's great to acknowledge that you never do anything alone.
The thing about literature is that, yes, there are kind of tides of fashion, you know; people come in and out of fashion; writers who are very celebrated fall into, you know, people you know stop reading them, and then it comes back again.
I'm in a really nice position because I can be selective with the modeling jobs that I do and just work with brands I'm passionate about. The two worlds balance out nicely for me because modeling is so social - it has travel, you meet people, it's extroverted. Whereas painting is very solitary - when I paint, I'm kind of in my own world.
One thing for me that modeling definitely did was that you go to do a different job every day, and you are working with a completely new team of people. You have to learn how to talk to people and how to creatively achieve the same goals. I think it just hones your people skills.
There are infinite combinations that people can experience, because no two people are alike, and no two people's identities should be expected to be alike. I mean, we see it in fashion: one size does not fit all. And I think it's, you know, completely ridiculous that we've expected people's identities to be one size fits all.
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