A Quote by Edin Dzeko

When you score in the first minutes, everything changes. — © Edin Dzeko
When you score in the first minutes, everything changes.
When you have 16 or 17 attempts, when you have so many opportunities to score in the first 60 or 70 minutes and you don't do it, the opponent can score. The opponent can hurt you.
Josh had told me a long time ago that he had this theory that an entire relationship was based on what occurred over the course of the first five minutes you know each other. That everything that came after those first minutes was just details being filled in. Meaning: you already knew how deep the love was, how instinctually you felt about someone. What happened in their first five minutes? Time stopped.
When you concede in less than two minutes, it changes completely everything.
When I grew up, I tried to score off every ball, be it a 10-over-match, a 20-over, or even a Test match. If I stay in the wicket for, say, about 30 minutes, I want to make the most of it and score maximum runs possible. You never know when you get out; try to score as much possible before that.
Everything is in flux: everything changes; the body changes, the soul changes. We are capable of extraordinary self-transmutat ion and internal self-transforma tion.
Scoring first changes everything. It makes everything easier for us.
When we first started, everything was animated, everything was comedy, and there was really nothing that was longer than about two minutes, because that's all audiences would watch.
Two minutes, 30 minutes, whatever, as long as I'm contributing to the team for the 'W.' If I score a point and we win, hey, it's the sorriest point I've ever scored but we got the win.
When an individual changes in even a small way he immediately changes the world around him. And that concentric circle moves out and changes everything.
I like that we don't have to come out the first 10 minutes and score, you know, with joke, joke, joke. We can open it in a more novel way and keep playing different pranks as we go through the thing.
The main thing is to score a goal in the first half. Then everything will be possible.
And with just 4 minutes gone, the score is already 0-0.
When working with classical musicians, it is important to be clear as possible in the score about what my intentions are. Because there isn't a lot of rehearsal time, especially at the ballet, it's best if everything is written in the score.
I'm sure coach Frank Rijkaard will want the Dutch to go on and score a fourth now - although obviously they'll have to score the third one first.
When you're with a team and you're comfortable there, everything seems O.K. You play a lot of minutes. You make the playoffs. You don't miss practice - all of that stuff. So when you leave for the summer, you're like, 'See you next year!' You expect maybe some changes, but nothing involving you.
Defense, in the game, is something that I just really enjoy. Some people enjoy assisting the ball. Some people like to score, score, score, but to me the first thing that comes up is defense.
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